{"id":35021,"date":"2025-07-18T05:10:16","date_gmt":"2025-07-18T05:10:16","guid":{"rendered":"https:\/\/spac.or.jp\/blog\/?p=35021"},"modified":"2025-12-16T09:25:31","modified_gmt":"2025-12-16T09:25:31","slug":"%e3%80%8e%e3%81%86%e3%81%aa%e3%81%8e%e3%81%ae%e5%9b%9e%e9%81%8a%e3%80%8f%e3%81%ab%e5%af%84%e3%82%8a%e6%b7%bb%e3%81%a3%e3%81%a6-%e7%ac%ac2%e9%83%a8%ef%bc%9a%e9%9f%b3%e6%a5%bd%e3%81%a7%e6%b7%b1%e6%b5%b7","status":"publish","type":"post","link":"https:\/\/spac.or.jp\/blog\/?p=35021","title":{"rendered":"\u300e\u3046\u306a\u304e\u306e\u56de\u904a Eel Migration\u300f\u30d6\u30ed\u30b0\u30ea\u30ec\u30fc\u2463\uff1a\u300e\u3046\u306a\u304e\u306e\u56de\u904a\u300f\u306b\u5bc4\u308a\u6dfb\u3063\u3066 \u7b2c2\u90e8\uff1a\u97f3\u697d\u3067\u6df1\u6d77\u3078\u6f5c\u308b"},"content":{"rendered":"

▶ ENGLISH<\/a> ver.\u3000▶ FRENCH<\/a> ver.<\/p>\n

\n<\/hr>\n

\u3000
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◼️\u552f\u4e00\u306e\u30a4\u30f3\u30b9\u30d4\u30ec\u30fc\u30b7\u30e7\u30f3\u306f\u300c\u60f3\u50cf\u529b\u300d<\/b>
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\u300c\u821e\u53f0\u4e0a\u3067\u3069\u3093\u306a\u7a7a\u6c17\u3092\u3064\u304f\u308b\u306e\u304b\u3001\u5168\u54e1\u304c\u305d\u306e\u30a4\u30e1\u30fc\u30b8\u3092\u6b63\u78ba\u306b\u6301\u3064\u3053\u3068\u304c\u3068\u3066\u3082\u91cd\u8981\u306a\u3093\u3067\u3059\u300d<\/p>\n

\u5f7c\u5973\u306e\u76f4\u611f\u304b\u3089\u306f\u3058\u307e\u308b\u97f3\u306e\u5275\u4f5c\u3002\u97f3\u697d\u5b66\u6821\u306a\u3069\u3067\u5b66\u3076\u3088\u3046\u306a\u65b9\u6cd5\u3068\u306f\u4e00\u7dda\u3092\u753b\u3057\u3001\u72ec\u5b66\u3067\u6253\u697d\u5668\u3092\u5b66\u3093\u3067\u304d\u305f\u5f7c\u5973\u304c\u3001\u8b5c\u9762\u3092\u4e00\u5207\u4f7f\u308f\u305a\u306b\u97f3\u306e\u4e16\u754c\u3092\u63cf\u3044\u3066\u3044\u304f\u3002\u305d\u3093\u306aSPAC\u304c\u8a87\u308b\u821e\u53f0\u97f3\u697d\u5bb6\u306e\u59ff\u306b\u3001\u79c1\u306f\u76ee\u3092\u596a\u308f\u308c\u307e\u3057\u305f\u3002\u7a3d\u53e4\u5834\u306f\u6b21\u7b2c\u306b\u3001\u6df1\u6d77\u3078\u3068\u8a69\u7684\u306b\u6f5c\u3063\u3066\u3044\u304f\u7a7a\u9593\u3078\u3068\u5909\u308f\u3063\u3066\u3044\u304d\u307e\u3059\u3002
\n\u3000
\n\"\"
\n\u30aa\u30fc\u30d7\u30f3\u30fb\u30b9\u30bf\u30b8\u30aa\u306e\u305f\u3081\u306e\u97f3\u697d\u3092\u88fd\u4f5c\u3059\u308b\u4ff3\u512a\u30fb\u30b9\u30bf\u30c3\u30d5<\/span>
\n\u3000
\n◼️\u6df1\u6d77\u3092\u97f3\u3067\u8868\u73fe\u3059\u308b\u306b\u306f\uff1f<\/b>
\n\u3042\u308b\u65e5\u68da\u5ddd\u3055\u3093\u306f\u30db\u30ef\u30a4\u30c8\u30dc\u30fc\u30c9\u306b\u6d77\u9762\u306e\u7dda\u3068\u3001\u4e0a\u6607\u3059\u308b\u6e26\u306e\u3088\u3046\u306a\u87ba\u65cb\u3092\u63cf\u304d\u307e\u3057\u305f\u3002\u3053\u308c\u306f\u3001\u751f\u307e\u308c\u305f\u3070\u304b\u308a\u306e\u3046\u306a\u304e\u304c\u30de\u30ea\u30a2\u30ca\u6d77\u57df\u306e\u4e2d\u5c64\u304b\u3089\u6d6e\u4e0a\u3057\u3001\u6d77\u9762\u3092\u76ee\u6307\u3059\u65c5\u306e\u9053\u7b4b\u3002\u3053\u306e\u65c5\u306f\u3001\u6f6e\u306e\u6d41\u308c\u306b\u5c0e\u304b\u308c\u3001\u6708\u660e\u304b\u308a\u304c\u6d77\u9762\u3092\u7167\u3089\u3059\u4e2d\u3067\u9032\u3080\u3053\u3068\u3082\u3042\u308b\u3001\u6642\u306b\u5371\u967a\u306a\u9053\u306e\u308a\u3067\u3059\u3002<\/p>\n

\u3067\u306f\u3001\u3053\u306e\u65c5\u3092\u3069\u3046\u3084\u3063\u3066\u97f3\u306b\u3059\u308c\u3070\u3088\u3044\u306e\u3067\u3057\u3087\u3046\uff1f
\n\u751f\u547d\u304c\u306f\u3058\u307e\u308b\u77ac\u9593\u306e\u611f\u899a\u3092\u3001\u9060\u304f\u96e2\u308c\u305f\u4eba\u9593\u304c\u3069\u3046\u60f3\u50cf\u3059\u308c\u3070\u3088\u3044\u306e\u3067\u3057\u3087\u3046\uff1f
\n\u4eba\u306e\u8033\u306b\u3082\u3001\u3046\u306a\u304e\u306e\u8033\u306b\u3082\u5c4a\u304b\u306a\u3044\u306f\u305a\u306e\u6df1\u6d77\u306e\u300c\u8a95\u751f\u300d\u3092\u3001\u3069\u3046\u97f3\u306b\u3067\u304d\u308b\u306e\u3067\u3057\u3087\u3046\uff1f
\n\u3000
\n\"\"
\n\u30e1\u30ed\u30c7\u30a3\u30fc\u306e\u30a4\u30e1\u30fc\u30b8\u3092\u5171\u6709\u3059\u308b\u305f\u3081\u306b\u30db\u30ef\u30a4\u30c8\u30dc\u30fc\u30c9\u3092\u4f7f\u3046\u68da\u5ddd\u3055\u3093<\/span>
\n\u3000
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\n\u3000
\n\"\"
\n\u5186\u74b0\u3059\u308b\u97f3\u697d\u306e\u4e00\u90e8\u3068\u3057\u3066\u5439\u304d\u8fbc\u307e\u308c\u308b\u51fa\u6f14\u8005\u306e\u58f0<\/span>
\n\u3000
\n\"\"
\n\u6d77\u306e\u6df1\u307f\u3092\u63cf\u304d\u51fa\u3059\u7167\u660e\u3068\u97f3\u697d<\/span>
\n\u3000
\n◼️D\u266f4\u306e\u30c8\u30fc\u30f3\u30c1\u30e3\u30a4\u30e0\u3092\u9cf4\u3089\u3059\u5973\u795e\u306b\u306a\u308b\u307e\u3067<\/b>
\n\u30a4\u30f3\u30bf\u30fc\u30f3\u53c2\u52a0\u521d\u65e5\u3001\u7a3d\u53e4\u5834\u3067\u4f55\u304c\u8a71\u3055\u308c\u3066\u3044\u308b\u306e\u304b\u307e\u3060\u3088\u304f\u308f\u304b\u3089\u306a\u3044\u307e\u307e\u306b\u3044\u305f\u79c1\u306b\u3001\u68da\u5ddd\u3055\u3093\u306fD\u266f4\uff08\u30ec\u266f\uff09\u3068\u66f8\u304b\u308c\u305f\u30c8\u30fc\u30f3\u30c1\u30e3\u30a4\u30e0\u3092\u624b\u6e21\u3057\u3066\u304f\u308c\u307e\u3057\u305f\u3002\u898b\u305f\u3053\u3068\u3082\u306a\u3044\u697d\u5668\u306b\u6238\u60d1\u3044\u3064\u3064\u3001\u306a\u3093\u3068\u306a\u304f\u5468\u56f2\u306e\u771f\u4f3c\u3092\u3057\u3066\u632f\u3063\u3066\u307f\u305f\u3089\u3001\u97f3\u304c\u51fa\u305f\u3002\u305d\u306e\u77ac\u9593\u3001\u79c1\u306f\u300c\u898b\u5b66\u8005\u300d\u3067\u306f\u306a\u304f\u306a\u3063\u3066\u3044\u307e\u3057\u305f\u3002<\/p>\n

\u68da\u5ddd\u3055\u3093\u306e\u300c\u97f3\u697d\u306f\u8a00\u8449\u3092\u8d85\u3048\u3066\u4eba\u3068\u4eba\u3092\u3064\u306a\u3050\u3082\u306e\u300d\u3068\u3044\u3046\u8a71\u306b\u6df1\u304f\u5171\u611f\u3057\u3001\u65ad\u308b\u7406\u7531\u306a\u3069\u898b\u3064\u304b\u308a\u307e\u305b\u3093\u3067\u3057\u305f\u3002\u3068\u306f\u3044\u3048\u3001\u79c1\u306f\u30af\u30e9\u30ea\u30cd\u30c3\u30c8\u3092\u9577\u5e74\u5439\u3044\u3066\u3044\u305f\u3068\u306f\u3044\u3048\u3001\u6253\u697d\u5668\u306e\u7d4c\u9a13\u306f\u30bc\u30ed\u3002\u3057\u304b\u3057\u68da\u5ddd\u3055\u3093\u306e\u65b9\u6cd5\u306f\u3001\u6280\u8853\u3088\u308a\u3082\u60f3\u50cf\u529b\u304c\u9375\u306a\u306e\u3067\u3059\u3002\u300c\u3053\u306e\u697d\u5668\u3092\u3001\u6d77\u306b\u58f0\u3092\u97ff\u304b\u305b\u308b\u5973\u795e\u306e\u3088\u3046\u306b\u6271\u3063\u3066\u300d\u3068\u5f7c\u5973\u306f\u8a00\u3044\u307e\u3057\u305f\u3002\u6c17\u5f8c\u308c\u3057\u3064\u3064\u3082\u79c1\u306f\u305d\u306e\u5f79\u5272\u3092\u5f15\u304d\u53d7\u3051\u3001\u30aa\u30fc\u30d7\u30f3\u30b9\u30bf\u30b8\u30aa\u306e\u7d42\u308f\u308a\u307e\u3067\u3001D\u266f4\u306e\u5973\u795e\u306b\u306a\u308b\uff01\u3068\u6c7a\u3081\u307e\u3057\u305f\u3002<\/p>\n

\u3053\u3046\u3057\u3066\u3001\u79c1\u3082SPAC\u306e\u5236\u4f5c\u30c1\u30fc\u30e0\u306e\u4e00\u54e1\u3068\u3057\u3066\u3001\u4ff3\u512a\u305f\u3061\u3084\u30d6\u30e9\u30b8\u30eb\u306b\u30eb\u30fc\u30c4\u3092\u6301\u3064\u770c\u6c11\u51fa\u6f14\u8005\u3068\u3068\u3082\u306b\u3001\u3053\u306e\u97f3\u697d\u30bb\u30c3\u30b7\u30e7\u30f3\u306b\u53c2\u52a0\u3059\u308b\u3053\u3068\u306b\u306a\u308a\u307e\u3057\u305f\u3002\u5186\u3092\u63cf\u3044\u3066\u4e26\u3076\u51fa\u6f14\u8005\u305f\u3061\u306e\u5468\u308a\u306b\u306f\u3001\u65e5\u672c\u8a9e\u3001\u30d6\u30e9\u30b8\u30eb\u30fb\u30dd\u30eb\u30c8\u30ac\u30eb\u8a9e\u3001\u82f1\u8a9e\u3001\u305d\u3057\u3066\u3068\u304d\u3069\u304d\u30d5\u30e9\u30f3\u30b9\u8a9e\u3082\u98db\u3073\u4ea4\u3044\u307e\u3059\u3002\u3067\u3082\u3001\u3072\u3068\u305f\u3073\u6f14\u594f\u304c\u59cb\u307e\u308c\u3070\u3001\u305d\u3053\u306b\u3042\u308b\u306e\u306f\u305f\u3060\u3072\u3068\u3064\u306e\u58f0\u2015\u2015\u97f3\u697d\u306e\u58f0\u3067\u3059\u3002<\/p>\n

\u6700\u521d\u306f\u5c0f\u7bc0\u3092\u6570\u3048\u308b\u306e\u306b\u5fc5\u6b7b\u3060\u3063\u305f\u79c1\u3082\u3001\u3084\u304c\u3066\u97f3\u306e\u6d41\u308c\u306b\u8eab\u3092\u3086\u3060\u306d\u3001\u7686\u3068\u3072\u3068\u3064\u306e\u65cb\u5f8b\u3092\u3064\u304f\u3063\u3066\u3044\u308b\u3068\u3044\u3046\u5b9f\u611f\u3092\u5473\u308f\u3044\u307e\u3057\u305f\u3002\u305d\u308c\u306f\u3001\u7f8e\u3057\u304f\u3001\u9bae\u3084\u304b\u3067\u3001\u6ca1\u5165\u611f\u304c\u3042\u308a\u3001\u5fc3\u306e\u5e95\u304b\u3089\u6e80\u305f\u3055\u308c\u308b\u4f53\u9a13\u3067\u3057\u305f\u3002\u3053\u308c\u307e\u3067\u898b\u305f\u4e2d\u3067\u3001\u6700\u3082\u52b9\u679c\u7684\u306a\u975e\u8a00\u8a9e\u3067\u884c\u308f\u308c\u308b\u30c1\u30fc\u30e0\u30ef\u30fc\u30af\u306e\u69cb\u7bc9\u3060\u3063\u305f\u3068\u8a00\u3048\u308b\u304b\u3082\u3057\u308c\u307e\u305b\u3093\u3002
\n\u3000
\n◼️\u81ea\u5df1\u7d39\u4ecb<\/b>
\n\u79c1\u306e\u540d\u524d\u306f\u30a8\u30ec\u30fc\u30cc\u3002\u30d5\u30e9\u30f3\u30b9\u30675\u5e74\u307b\u3069\u30d5\u30e9\u30f3\u30b9\u56fd\u7acb\u306e\u5287\u5834\u3067\u306e\u30b9\u30bf\u30c3\u30d5\u3068\u3057\u3066\u7d4c\u9a13\u3092\u7a4d\u3093\u3060\u5f8c\u3001\u300c\u81ea\u5206\u3092\u81ea\u7531\u306b\u3059\u308b\u300d\u305f\u3081\u3001\u65e5\u672c\u3078\u3084\u3063\u3066\u304d\u307e\u3057\u305f\u3002\u3054\u7e01\u3042\u3063\u3066SPAC\u306e\u7686\u3055\u3093\u306b\u8fce\u3048\u3066\u3044\u305f\u3060\u304d\u3001\u77f3\u795e\u590f\u5e0c\u6f14\u51fa\u306b\u3088\u308b\u300e\u3046\u306a\u304e\u30d7\u30ed\u30b8\u30a7\u30af\u30c8\u300f\u306e\u30aa\u30fc\u30d7\u30f3\u30b9\u30bf\u30b8\u30aa\u6e96\u5099\u306b\u6570\u9031\u9593\u3001\u540c\u884c\u3059\u308b\u6a5f\u4f1a\u3092\u3044\u305f\u3060\u304d\u307e\u3057\u305f\u3002
\n\u3000<\/p>\n

ENGLISH<\/h3>\n

FOLLOWING UP \u201cEEL MIGRATION\u201d
\n~Part II : Musically diving into the deep ocean~
\n<\/b><\/span><\/p>\n

Have you ever wondered where eels are born?<\/p>\n

Eels lay their eggs thousands of miles from the Japanese coast, and die once it pours out its seed.
\nOnce the baby eel is out of its shell, it travels back to Japan to live in the country\u2019s fresh waters.<\/p>\n

In this new project by the Shizuoka Performing Arts Center, director Natsuki Ishigami brings together actors from SPAC and non-professional actors with roots in Brazil who live in Shizuoka prefecture, with the concept inspired by journey of these fascinating 100-million-year-old fish.<\/p>\n

\u201cTheatre is the only way to take up a story that someone else started long before I was born.\u201d
\n\u3000
\n◼️The only inspiration is the imagination <\/b>
\nFrom the very beginning of the rehearsals, I realised the importance of music in this project. In just a few days, director Natsuki Ishigami and her performers must present the quintessence of what the Eel Migration project will be, and they intend to rely on live music to do so. It is the SPAC composer, Hiroko Tanakawa, who is entrusted with the creation of the music on stage for her first collaboration with Natsuki Ishigami – but as always at SPAC, she does not work alone. Surrounded by her long-time colleagues, she counts on their musical talents to create the melody together, in situ. The actors and actresses pick up instruments, follow her instructions, commenting and making suggestions to try to capture the sound of the eels’ migration. <\/p>\n

“That’s how I’ve always composed the music for the shows created here,” Hiroko Tanakawa tells me. Having worked with the venue’s director, Satoshi Miyagi, for several decades now, the composer is familiar with this method of collective work – and she cannot imagine working any other way or anywhere else. “Making music is about creating connections between people,” she explains to me. According to her, music allows the people on stage to communicate with each other without dialogue, because during a performance it’s impossible to talk or rely on written instructions, so everyone must be immersed in the world of the piece. “It’s very important that everyone has a precise idea of the atmosphere that will be created on stage,” she concludes.<\/p>\n

This collective creation that unfolds before my eyes, she imagines the melody starting from her intuition. Far from music schools, the musical creator of SPAC taught herself the percussion she now uses to write her imaginary scores, never once writing a single line on sheet music. I am fascinated by this creativity in action and by the way the rehearsal room gradually transforms before my eyes into a poetic dive into the heart of the ocean.
\n\u3000
\n\"\"
\nActors and music composer writing live the music of the Open Studio.<\/span>
\n\u3000
\n◼️How do you musically recreate the depths of the ocean ? <\/b>
\nIn front of her attentive collaborators, the composer takes a marker and draws a line on a whiteboard – the sea level – and an ascending spiral. This whirlpool represents the path taken by newborn eels as they rise to the surface, thus leaving the intermediate waters of the Mariana Seas. It is a journey rhythmically guided by the ocean currents, sometimes dangerous, illuminated by the moonlight piercing the surface of the water. But how to musically transcribe this journey ? How can one imagine what a living being feels when it enters existence, so far from home ? How to set to music a birth in the heart of the ocean, where neither men nor eels can hear the slightest sound ?
\n\u3000
\n\"\"
\nThe music composer is using the white board to help everyone visualize the music.<\/span>
\n\u3000
\nThis dreamlike epic, the SPAC team will reproduce it thanks to the diversity of percussion instruments, numerous in the rehearsal room that day: bass drums, xylophones, tone chimes, bells, Tibetan bowls, all the sounds are available to recreate this millennial ascent. The deep sounds of the bass drum to convey the numerous vibrations of the ocean floor, the singing bowls to reproduce the white noise of the water’s surface, each instrument contributes to building the narrative. No text is then spoken by any performer at this stage of the workshops, this entire journey is transcribed by the imaginative power of music.
\n\u3000
\n\"\"
\nAll kinds of percussion instruments are available on set for creation. <\/span>
\n\u3000
\nThe circularity of this spiral drawn on a whiteboard becomes the very core of the musical composition. Carried away by a ternary rhythm that creates circularity, the melody plunges us into the cyclical nature of existence: the cycle from birth to death, from death to birth, from a departure that leads to a return, from a return that also becomes a new departure. The loop effects present in the sound arrangement reinforce this spiral feeling, creating around the spectator the impression of being surrounded by eels rising to the surface. Each one is there, around us, pronouncing its name as if to symbolically affirm its birth, and we accompany them in their coming to life. In just a few days of rehearsal, I am amazed by the result. And completely won over. During a quick break, I take a quick glance at my notebook and notice a sentence that the director Natsuki Ishigami said earlier in the week : \u201cThe power of creation\u201d. I think it is the best way to put it.
\n\u3000
\n\"\"
\nThe recording of the voice in order to create the looping effect.<\/span>
\n\u3000
\n\"\"
\nVisualizing the depths of the ocean.<\/span>
\n\u3000
\n◼️How I end up playing the tonechime<\/b>
\nFrom the very first day, while I try to understand what was being said in Japanese, Hiroko Tanakawa enthusiastically hands me a tone chime with D\u266f4 written on it. Having never seen this instrument in my life, I am intrigued but out of mimicry, I shake it, a note comes out, thus ending my role as a mere observer. After listening to the composer speak about how music made people communicate beyond words, I was so agreeing with her that I could not say no. However, there remains a slight problem – even though I studied music theory and played clarinet for years, I am not a percussionist. Fortunately, the composer’s method is based more on imagination than on technique : “Handle this instrument as if you were a goddess spreading her voice throughout the ocean,” she tells me. Imposter syndrome aside, I let myself be tempted by the exercise and dedicated that until the end of the Open Studio, I will be the goddess of the D\u266f4 tone chime.<\/p>\n

And that’s how the members of the SPAC production team and I joined the professional actors and non-professional actors with roots in Brazil who live in Shizuoka prefecture to collaborate together on the realisation of this live musical session of the Open Studio. Around the circle formed by the performers, it is always possible to hear Japanese, Brazilian Portuguese, English, even French, but when we play, there is only one voice in unison: the one of music. Initially focused on counting the measures, I eventually let go and opened myself to the melody we all formed together : it’s beautiful, vivid, immersive, and so satisfying. I believe that this musical workshop was the most effective non-verbal team-building exercise I have ever seen in my life.
\n\u3000
\n◼️Who am I?<\/b>
\nMy name is H\u00e9l\u00e8ne, and after almost five years of experiences in theatre and national stages in France, I’ve come to Japan to lose – or find – myself. Welcomed by the SPAC teams for a few weeks,, I had the chance to follow the setting up of the Open Studio of the Eel Project, a SPAC creation scheduled for Spring 2026, directed by Natsuki Ishigami.
\n\u3000<\/p>\n

FRENCH<\/h3>\n

\u3000<\/p>\n

SUR LA ROUTE DU EEL MIGRATION, Partie 2 : Plonger dans l\u2019univers sonore du fond des oc\u00e9ans<\/b><\/span>
\n\u3000
\nVous \u00eates-vous d\u00e9j\u00e0 demand\u00e9s o\u00f9 naissent les anguilles ?<\/p>\n

Les anguilles pondent \u00e0 des milliers de kilom\u00e8tres des c\u00f4tes japonaises, et d\u00e9c\u00e8dent une fois qu\u2019elles ont fray\u00e9. Leurs petits, une fois sortis de leur coquille, font le trajet inverse pour revenir vivre dans les eaux du Japon.<\/p>\n

Dans ce nouveau projet du Shizuoka Performing Arts Center, la metteur en sc\u00e8ne Natsuki Ishigami r\u00e9unit com\u00e9diens du SPAC et com\u00e9diens non-professionnels, ayant une attache avec le Br\u00e9sil et vivant dans la pr\u00e9fecture de Shizuoka, dans un projet inspir\u00e9 par le fascinant voyage de ces poissons symboliques, vieux de 100 millions d\u2019ann\u00e9es. <\/p>\n

\u201cLe Th\u00e9\u00e2tre est la seule mani\u00e8re de reprendre une histoire que quelqu\u2019un d\u2019autre a commenc\u00e9e bien avant ma naissance\u201d
\n\u3000
\nL\u2019inspiration vient de l\u2019imagination <\/strong>
\nD\u00e8s le d\u00e9but des r\u00e9p\u00e9titions, je comprends l\u2019importance que tient la musique dans ce projet. En \u00e0 peine quelques jours, la metteur en sc\u00e8ne Natsuki Ishigami et ses neufs interpr\u00e8tes doivent pr\u00e9senter la quintessence de ce que sera le projet Eel Migration et comptent bien s\u2019appuyer sur la musique live pour y parvenir. C\u2019est \u00e0 la compositrice du SPAC, Hiroko Tanakawa qu\u2019est confi\u00e9e pour sa premi\u00e8re collaboration avec Natsuki Ishigami la r\u00e9alisation de la musique au plateau – mais comme toujours au SPAC, elle ne travaille pas seule. Entour\u00e9e de ses coll\u00e8gues de longue date, elle compte sur leurs talents musicaux pour cr\u00e9er ensemble, in situ, la m\u00e9lodie. Com\u00e9dien, com\u00e9dienne, chacun se saisit d\u2019un instrument et suit ses directives, commente, fait des propositions pour tenter de mettre en son la migration des anguilles.<\/p>\n

\u201cC\u2019est comme \u00e7a que j\u2019ai toujours compos\u00e9 les musiques des spectacles qui se sont cr\u00e9\u00e9s ici\u201d, me raconte Hiroko Tanakawa. Travaillant avec le directeur du lieu, Satoshi Miyagi, depuis plusieurs dizaines d\u2019ann\u00e9es, la compositrice est famili\u00e8re de cette m\u00e9thode de travail collective – et elle ne s\u2019imagine pas travailler autrement ni ailleurs. \u201cFaire de la musique, c\u2019est cr\u00e9er du lien entre les gens\u201d, m\u2019explique t-elle. Selon elle, la musique permet aux personnes au plateau de communiquer entre elles sans dialoguer, car en pleine performance impossible de parler, ni de se fier aux instructions \u00e9crites, il faut donc que chacun soit immerg\u00e9 dans l\u2019univers de la pi\u00e8ce. \u201cC\u2019est tr\u00e8s important que tout le monde ait une id\u00e9e pr\u00e9cise de l\u2019ambiance qui va se cr\u00e9er sur sc\u00e8ne\u201d, conclut-elle. <\/p>\n

Cette cr\u00e9ation collective qui s\u2019invente sous mes yeux, elle en imagine la m\u00e9lodie en partant de son intuition. Loin des \u00e9coles de musique, la cr\u00e9atrice musicale du SPAC a appris par elle-m\u00eame les percussions dont elle se sert aujourd\u2019hui pour \u00e9crire ses partitions imaginaires, sans jamais noter la moindre ligne sur du papier \u00e0 musique. Je suis fascin\u00e9e par cette cr\u00e9ativit\u00e9 en action et par la mani\u00e8re dont progressivement, la salle de r\u00e9p\u00e9tition se transforme sous mes yeux en plong\u00e9e po\u00e9tique au c\u0153ur de l\u2019oc\u00e9an.
\n\u3000
\n\"\"
\nLa compositrice et les com\u00e9diens en pleine \u00e9criture de la musique de l\u2019Open Studio. <\/span>
\n\u3000
\nComment mettre en musique le fond de l\u2019oc\u00e9an ?<\/strong>
\n\u3000
\n\"\"
\nLa compositrice utilisant le tableau blanc pour aider \u00e0 la visualisation de la m\u00e9lodie.<\/span>
\n\u3000
\nDevant ses collaborateurs attentifs, la compositrice musicale s\u2019arme d\u2019un feutre et dessine sur un tableau blanc un trait – le niveau de la mer – et une spirale ascendante. Ce tourbillon repr\u00e9sente le chemin emprunt\u00e9 par les anguilles naissantes lorsqu\u2019elles remontent vers la surface, quittant ainsi les eaux interm\u00e9diaires des mers Mariannes. C\u2019est un voyage rythm\u00e9 par les courants marins, parfois dangereux, guid\u00e9 par les lueurs de la lune qui percent \u00e0 la surface de l\u2019eau. Mais comment retranscrire musicalement ce p\u00e9riple ? Comment s\u2019imaginer ce que ressent un \u00eatre vivant qui entre dans l\u2019existence, si loin de chez lui ? Comment mettre en musique une naissance au c\u0153ur de l\u2019oc\u00e9an, l\u00e0 o\u00f9 ni hommes ni anguilles ne peuvent entendre le moindre son ?<\/p>\n

Cette \u00e9pop\u00e9e onirique, l\u2019\u00e9quipe du SPAC va la reproduire gr\u00e2ce \u00e0 la diversit\u00e9 des percussions, nombreuses dans la salle de r\u00e9p\u00e9tition ce jour l\u00e0 : grosses caisses, xylophones, tones chimes, cloches, bols tib\u00e9tain, toutes les sonorit\u00e9s sont \u00e0 disposition pour recr\u00e9er cette ascension mill\u00e9naire. Les sons profonds de la grosse caisse pour retranscrire les nombreuses vibrations du fond de l\u2019oc\u00e9an, les bols tib\u00e9tains pour reproduire le bruit blanc de l\u2019eau en surface, ce sont chaque instrument qui participe \u00e0 construire la narration. Aucun texte n\u2019est alors prononc\u00e9 par le moindre interpr\u00e8te \u00e0 ce stade, tout ce p\u00e9riple est retranscrit par le pouvoir cr\u00e9atif de la musique.
\n\u3000
\n\"\"
\nLa multitude de percussions pr\u00e9sentes au plateau.<\/span>
\n\u3000
\nLa circularit\u00e9 de cette spirale dessin\u00e9e sur tableau blanc devient la colonne vert\u00e9brale de la composition musicale. Emport\u00e9e par un rythme ternaire qui cr\u00e9e la circularit\u00e9, la m\u00e9lodie nous plonge dans la nature cyclique de l\u2019existence : le cycle de la naissance \u00e0 la mort, de la mort \u00e0 la naissance, d\u2019un d\u00e9part qui m\u00e8ne \u00e0 un retour, d\u2019un retour qui se fait lui aussi un nouveau d\u00e9part. Les effets de loop pr\u00e9sents dans l\u2019arrangement sonore renforcent ce sentiment de spirale qui cr\u00e9e autour du spectateur l\u2019impression d\u2019\u00eatre entour\u00e9 d\u2019anguilles remontant \u00e0 la surface. Chacune est l\u00e0, autour de nous, pronon\u00e7ant son nom comme pour affirmer symboliquement sa naissance, et nous les accompagnons dans leur venue au monde. En quelques jours de r\u00e9p\u00e9tition, je suis \u00e9pat\u00e9e du r\u00e9sultat. Et conquise. Je jette un regard rapide sur mon carnet de notes et butte sur une phrase prononc\u00e9e par la metteur en sc\u00e8ne Natsuki Ishigami plus t\u00f4t dans la semaine : \u201cLe pouvoir de la cr\u00e9ation\u201d. Je n\u2019aurais pas dit mieux.
\n\u3000
\n\"\"
\nL\u2019enregistrement des pistes sons pour cr\u00e9er les effets de looping.<\/span>
\n\u3000
\n\"\"
\nRecr\u00e9er le fond des oc\u00e9ans.<\/span>
\n\u3000
\nPercussionniste le temps du projet <\/strong>
\nD\u00e8s le premier jour, tandis que je tente de comprendre ce qu’il se dit, Hiroko Tanakawa me tend en souriant une tone chime o\u00f9 il est \u00e9crit D\u266f4. N\u2019ayant jamais vu cet instrument de ma vie, je suis intrigu\u00e9e, mais par mim\u00e9tisme, je secoue, une note sort, sonnant ainsi le glas de mon r\u00f4le de simple observatrice. Apr\u00e8s avoir \u00e9cout\u00e9 la compositrice parler avec enthousiasme de la mani\u00e8re dont la musique faisait communiquer les gens au-del\u00e0 des mots, je ne pouvais qu\u2019accepter de participer au projet. Cependant, reste un probl\u00e8me de taille : j\u2019ai beau avoir \u00e9tudi\u00e9 le solf\u00e8ge et jou\u00e9 de la clarinette pendant des ann\u00e9es, je ne suis pas percussionniste. Heureusement, la m\u00e9thode de la compositrice se base sur l\u2019imagination plus que sur la technique : \u201cManie cet instrument comme si tu \u00e9tais une d\u00e9esse qui r\u00e9pand sa voix dans tout l\u2019oc\u00e9an\u201d, me dit-elle. Syndrome de l\u2019imposteur mis \u00e0 part, je me laisse tenter par l\u2019exercice : je serai jusqu\u2019\u00e0 la fin de l\u2019Open Studio, la d\u00e9esse du tone chime D\u266f4. <\/p>\n

Et c\u2019est ainsi que les membres de l\u2019\u00e9quipe de production du SPAC et moi-m\u00eame avons rejoint les com\u00e9diens professionnels et les participants de la communaut\u00e9 br\u00e9silienne d\u2019Hamamatsu pour collaborer ensemble \u00e0 la r\u00e9alisation de cette live session musicale de l\u2019Open Studio. Autour du cercle form\u00e9 par les interpr\u00e8tes, il est toujours possible d\u2019entendre du japonais, du portuguais br\u00e9silien, de l\u2019anglais, du fran\u00e7ais m\u00eame mais lorsque l\u2019on joue, il n\u2019y a plus qu\u2019une seule voix \u00e0 l’unisson : celle de la musique. Initialement concentr\u00e9e sur le comptage des mesures, je finis par l\u00e2cher prise et m\u2019ouvrir \u00e0 la m\u00e9lodie que nous formons tous ensemble : c\u2019est beau, c\u2019est imag\u00e9, immersif. Je crois bien que ce workshop musical \u00e9tait l\u2019exercice de team building sans paroles le plus efficace que je n\u2019ai jamais vu de ma vie.
\n\u3000
\nQui suis-je ?<\/strong>
\nJe m\u2019appelle H\u00e9l\u00e8ne, et apr\u00e8s presque cinq ans d\u2019exp\u00e9riences en th\u00e9\u00e2tre et sc\u00e8nes nationales en France, je suis venue me perdre au Japon. Recueillie par les \u00e9quipes du SPAC pendant deux semaines, j\u2019ai eu la chance de suivre la mise en place de l\u2019Open Studio de l\u2019Unagi Project, nouvelle production du SPAC pr\u00e9vue au Printemps 2026, dirig\u00e9e par Natsuki Ishigami.<\/p>\n","protected":false},"excerpt":{"rendered":"

▶ ENGLISH ver.\u3000▶ FRENCH ver. \u3000 \u30a6\u30ca\u30ae\u306f\u3069\u3053\u3067\u751f\u307e\u308c\u308b\u304b\u3001\u3054\u5b58\u3058\u3067\u3059\u304b\uff1f \u30a6\u30ca\u30ae\u306f\u65e5\u672c\u306e\u6cbf\u5cb8\u304b\u3089\u4f55\u5343\u30ad\u30ed\u3082\u96e2\u308c\u305f\u6d77\u3067\u5375\u3092\u7523\u307f\u3001\u547d\u3092\u7d42\u3048\u307e\u3059\u3002 \u5b75\u5316\u3057\u305f\u7a1a\u9b5a\u306f\u9577\u3044\u65c5 […]<\/p>\n","protected":false},"author":2,"featured_media":35026,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[206],"tags":[],"acf":[],"_links":{"self":[{"href":"https:\/\/spac.or.jp\/blog\/index.php?rest_route=\/wp\/v2\/posts\/35021"}],"collection":[{"href":"https:\/\/spac.or.jp\/blog\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/spac.or.jp\/blog\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/spac.or.jp\/blog\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/spac.or.jp\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=35021"}],"version-history":[{"count":9,"href":"https:\/\/spac.or.jp\/blog\/index.php?rest_route=\/wp\/v2\/posts\/35021\/revisions"}],"predecessor-version":[{"id":35482,"href":"https:\/\/spac.or.jp\/blog\/index.php?rest_route=\/wp\/v2\/posts\/35021\/revisions\/35482"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/spac.or.jp\/blog\/index.php?rest_route=\/wp\/v2\/media\/35026"}],"wp:attachment":[{"href":"https:\/\/spac.or.jp\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=35021"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/spac.or.jp\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=35021"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/spac.or.jp\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=35021"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}