{"id":35268,"date":"2025-10-21T01:15:24","date_gmt":"2025-10-21T01:15:24","guid":{"rendered":"https:\/\/spac.or.jp\/blog\/?p=35268"},"modified":"2025-12-16T09:31:48","modified_gmt":"2025-12-16T09:31:48","slug":"%e3%80%8e%e3%81%86%e3%81%aa%e3%81%8e%e3%81%ae%e5%9b%9e%e9%81%8a%e3%80%8f%e3%81%ab%e5%af%84%e3%82%8a%e6%b7%bb%e3%81%a3%e3%81%a6-%e7%ac%ac3%e9%83%a8%ef%bc%9a%e3%83%96%e3%83%a9%e3%82%b8%e3%83%ab%e3%82%b3","status":"publish","type":"post","link":"https:\/\/spac.or.jp\/blog\/?p=35268","title":{"rendered":"\u300e\u3046\u306a\u304e\u306e\u56de\u904a Eel Migration\u300f\u30d6\u30ed\u30b0\u30ea\u30ec\u30fc\u2464\uff1a\u300e\u3046\u306a\u304e\u306e\u56de\u904a\u300f\u306b\u5bc4\u308a\u6dfb\u3063\u3066 \u7b2c3\u90e8\uff1a\u30d6\u30e9\u30b8\u30eb\u30b3\u30df\u30e5\u30cb\u30c6\u30a3\u3068\u306e\u51fa\u4f1a\u3044"},"content":{"rendered":"

▶ ENGLISH<\/a> ver.\u3000▶ FRENCH<\/a> ver.<\/p>\n

\n<\/hr>\n

\u3000
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SPAC-\u9759\u5ca1\u770c\u821e\u53f0\u82b8\u8853\u30bb\u30f3\u30bf\u30fc\u306e\u65b0\u305f\u306a\u30d7\u30ed\u30b8\u30a7\u30af\u30c8\u3067\u306f\u3001\u5287\u4f5c\u5bb6\u30fb\u77f3\u795e\u590f\u5e0c\u3055\u3093\u306e\u3082\u3068\u3001SPAC\u306e\u4ff3\u512a\u3068\u9759\u5ca1\u306b\u4f4f\u3080\u30d6\u30e9\u30b8\u30eb\u306b\u30eb\u30fc\u30c4\u3092\u6301\u3064\u51fa\u6f14\u8005\u305f\u3061\u304c\u3001\u3053\u306e\u4e0d\u601d\u8b70\u306a\u9b5a\u306e\u65c5\u3092\u30e2\u30c1\u30fc\u30d5\u306b\u6f14\u5287\u3092\u901a\u3058\u3066\u65b0\u305f\u306a\u7269\u8a9e\u3092\u7d21\u3044\u3067\u3044\u307e\u3059\u3002<\/p>\n

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\n\u3000
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2022\u5e74\u304b\u3089SPAC\u3067\u6d3b\u52d5\u3092\u3057\u3066\u304d\u305f\u77f3\u795e\u3055\u3093\u306b\u3068\u3063\u3066\u3053\u306e\u30d7\u30ed\u30b8\u30a7\u30af\u30c8\u306f\u3001\u5f7c\u5973\u81ea\u8eab\u304c\u57f9\u3063\u3066\u304d\u305f\u6f14\u5287\u3078\u306e\u30a2\u30d7\u30ed\u30fc\u30c1\u3068\u3001SPAC\u304c\u6301\u3064\u7a00\u6709\u306a\u5275\u4f5c\u74b0\u5883\u3001\u30d7\u30ed\u30d5\u30a7\u30c3\u30b7\u30e7\u30ca\u30eb\u305f\u3061\u306e\u529b\u3092\u878d\u5408\u3055\u305b\u308b\u65b0\u305f\u306a\u6311\u6226\u3067\u3082\u3042\u308a\u307e\u3059\u3002<\/p>\n

\u305d\u3093\u306a\u77f3\u795e\u3055\u3093\u306f\u7a3d\u53e4\u306e\u6700\u521d\u306e\u6bb5\u968e\u304b\u3089\u3001\u30c1\u30fc\u30e0\u30e1\u30f3\u30d0\u30fc\u3072\u3068\u308a\u306e\u500b\u6027\u3084\u751f\u6d3b\u306e\u80cc\u666f\u306b\u5f37\u304f\u95a2\u5fc3\u3092\u6301\u3063\u3066\u3044\u307e\u3057\u305f\u3002<\/p>\n

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\n\u81ea\u5206\u306e\u300c\u6b7b\u300d\u3092\u601d\u3044\u63cf\u304f\u3053\u3068\u3002\u305d\u308c\u306f\u3001\u81ea\u5206\u81ea\u8eab\u306e\u4eba\u751f\u306e\u8ecc\u8de1\u3092\u898b\u3064\u3081\u76f4\u3057\u3001\u53d6\u308a\u623b\u3059\u3053\u3068\u3067\u3082\u3042\u308a\u307e\u3057\u305f\u3002\u751f\u307e\u308c\u308b\u5834\u6240\u306f\u9078\u3079\u306a\u3044\u3051\u308c\u3069\u3001\u3069\u3053\u3067\u3069\u3093\u306a\u3075\u3046\u306b\u7d42\u308f\u308a\u305f\u3044\u304b\u3092\u8003\u3048\u308b\u3053\u3068\u306f\u3067\u304d\u308b\u3002\u5c11\u306a\u304f\u3068\u3082\u3001\u60f3\u50cf\u3059\u308b\u3053\u3068\u306f\u3067\u304d\u307e\u3059\u3002
\n\u300c\u6f14\u5287\u306f\u3001\u4eba\u306b\u8a9e\u308b\u529b\u3092\u4e0e\u3048\u3001\u81ea\u5206\u306e\u4eba\u751f\u3092\u81ea\u5206\u306e\u8a00\u8449\u3067\u7d21\u3050\u6a5f\u4f1a\u3092\u304f\u308c\u308b\u3002\u300d
\n\u77f3\u795e\u3055\u3093\u304c\u305d\u3046\u8a9e\u3063\u305f\u3068\u304d\u3001\u79c1\u306f\u5927\u304d\u304f\u3046\u306a\u305a\u3044\u3066\u5fae\u7b11\u307f\u307e\u3057\u305f\u3002
\n\u307f\u3093\u306a\u304c\u81ea\u5206\u3092\u898b\u3066\u304f\u308c\u3066\u3001\u8a71\u3092\u3061\u3083\u3093\u3068\u8074\u3044\u3066\u304f\u308c\u308b\u5834\u6240\u2015\u2015\u3000\u305d\u3093\u306a\u7a7a\u9593\u307b\u3069\u300c\u81ea\u5206\u306e\u5c45\u5834\u6240\u300d\u5f37\u304f\u611f\u3058\u3089\u308c\u308b\u3082\u306e\u306f\u3042\u308a\u307e\u305b\u3093\u3067\u3057\u305f\u3002<\/p>\n

\"\"
\n\u901a\u5e38\u306e\u5287\u5834\u7a7a\u9593\u3067\u306f\u306a\u3044\u5834\u6240\u306e\u305f\u3081\u306b\u4f5c\u54c1\u3092\u4f5c\u308b\u77f3\u795e\u590f\u5e0c\u3055\u3093<\/span>
\n\u3000
\n◼️\u6d5c\u677e\u3001\u30d6\u30e9\u30b8\u30eb\u3001\u305d\u3057\u3066\u30a6\u30ca\u30ae<\/strong>
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\n\u3000
\n\"\"
\n\u30aa\u30fc\u30d7\u30f3\u30b9\u30bf\u30b8\u30aa\u306e\u305f\u3081\u306b\u30e1\u30f3\u30d0\u30fc\u304c\u96c6\u3081\u305f\u8cc7\u6599\u306e\u6570\u3005<\/span>
\n\u3000
\n\u30ea\u30cf\u30fc\u30b5\u30eb\u5ba4\u306b\u3042\u308b\u8cc7\u6599\u3084\u66f8\u7c4d\u306b\u76ee\u3092\u901a\u3057\u306a\u304c\u3089\u3053\u306e\u571f\u5730\u306e\u73fe\u5b9f\u306b\u89e6\u308c\u3066\u3044\u304f\u3046\u3061\u306b\u3001\u3053\u306e\u30d7\u30ed\u30b8\u30a7\u30af\u30c8\u306e\u5bd3\u610f\u7684\u306a\u5074\u9762\u3092\u307e\u3059\u307e\u3059\u7406\u89e3\u3059\u308b\u3088\u3046\u306b\u306a\u308a\u307e\u3057\u305f\u3002 \u30a6\u30ca\u30ae\u3068\u30d6\u30e9\u30b8\u30eb\u4eba\u30b3\u30df\u30e5\u30cb\u30c6\u30a3\u3092\u4f5c\u54c1\u306e\u4e2d\u5fc3\u306b\u636e\u3048\u308b\u3053\u3068\u3067\u3001\u79d1\u5b66\u7684\u30c7\u30fc\u30bf\u3084\u793e\u4f1a\u5b66\u7684\u306a\u73fe\u8c61\u3068\u3057\u3066\u3067\u306f\u306a\u304f\u3001\u56fa\u6709\u306e\u5b58\u5728\u3068\u3057\u3066\u3001\u305d\u308c\u305e\u308c\u3092\u751f\u304d\u308b\u547d\u3068\u3057\u3066\u898b\u3064\u3081\u308b\u8996\u70b9\u304c\u958b\u304b\u308c\u308b\u306e\u3067\u3059\u3002 \u4e21\u8005\u306f\u307e\u308b\u3067\u7e54\u7269\u306e\u3088\u3046\u306b\u91cd\u306a\u308a\u5408\u3044\u3001\u6d5c\u677e\u3068\u3044\u3046\u5834\u6240\u3092\u8c61\u5fb4\u3059\u308b\u4e8c\u3064\u306e\u5b58\u5728\u304c\u3001\u305d\u308c\u305e\u308c\u306e\u300c\u8d77\u6e90\u300d\u3084\u300c\u79fb\u52d5\u300d\u3092\u3081\u3050\u308b\u554f\u3044\u306e\u4e2d\u3067\u7d61\u307f\u5408\u3063\u3066\u3044\u308b\u304b\u306e\u3088\u3046\u3067\u3059\u3002\u5f7c\u3089\u304c\u3069\u308c\u307b\u3069\u7570\u306a\u308a\u3001\u540c\u6642\u306b\u3069\u308c\u307b\u3069\u4f3c\u3066\u3044\u308b\u304b\u306b\u7126\u70b9\u3092\u5f53\u3066\u3066\u3044\u307e\u3059\u3002 <\/p>\n

\u79c1\u306f\u3059\u3067\u306b\u3001\u6f14\u5287\u304c\u4eba\u9593\u793e\u4f1a\u306b\u5149\u3092\u5f53\u3066\u308b\u91cd\u8981\u306a\u65b9\u6cd5\u306e\u4e00\u3064\u3067\u3042\u308b\u3068\u4fe1\u3058\u3066\u3044\u307e\u3059\u304c\u3001\u52d5\u7269\u305d\u306e\u3082\u306e\u3092\u4e3b\u984c\u306b\u3059\u308b\u6f14\u5287\u306b\u51fa\u4f1a\u3046\u3053\u3068\u306f\u305d\u3046\u591a\u304f\u3042\u308a\u307e\u305b\u3093\u3002\u3060\u304b\u3089\u3053\u305d\u3001\u79c1\u81ea\u8eab\u304c\u52d5\u7269\u306e\u6a29\u5229\u306b\u65e5\u3005\u95a2\u5fc3\u3092\u6301\u3064\u8005\u3068\u3057\u3066\u3001\u3053\u306e\u5287\u3092\u3055\u3089\u306b\u5fdc\u63f4\u3057\u305f\u3044\u3068\u601d\u3044\u307e\u3057\u305f\u3002
\n\u3000
\n\u25a0 \u770c\u6c11\u51fa\u6f14\u8005\u305f\u3061\u3068\u306e\u51fa\u4f1a\u3044<\/strong>
\n\u6570\u65e5\u9593\u306b\u308f\u305f\u308bSPAC\u30c1\u30fc\u30e0\u3068\u306e\u6e96\u5099\u3092\u7d4c\u3066\u3001\u3064\u3044\u306b\u770c\u897f\u90e8\u304b\u3089\u770c\u6c11\u51fa\u6f14\u8005\u305f\u3061\u304c\u30ea\u30cf\u30fc\u30b5\u30eb\u5834\u306b\u3084\u3063\u3066\u304d\u307e\u3057\u305f\u3002\u77f3\u795e\u3055\u3093\u3084\u5236\u4f5c\u30b9\u30bf\u30c3\u30d5\u306f\u4e8b\u524d\u306e\u9762\u8ac7\u3067\u3059\u3067\u306b\u9762\u8b58\u304c\u3042\u308a\u307e\u3057\u305f\u304c\u3001\u79c1\u306b\u3068\u3063\u3066\u306f\u3053\u306e\u65e5\u304c\u521d\u5bfe\u9762\u3067\u3059\u3002\u4f1a\u793e\u54e1\u3001\u4e3b\u5a66\u3001\u81ea\u55b6\u696d\u8005\u306a\u3069\u305d\u308c\u305e\u308c\u306b\u591a\u5fd9\u306a\u305f\u3081\u3001\u4eca\u56de\u306e\u30aa\u30fc\u30d7\u30f3\u30b9\u30bf\u30b8\u30aa\u306e\u7a3d\u53e4\u306f\u308f\u305a\u304b2\u65e5\u9593\u3067\u3001\u9650\u3089\u308c\u305f\u6642\u9593\u3067\u306e\u6311\u6226\u3067\u3057\u305f\u3002
\n\u305d\u308c\u3067\u3082\u3001\u30c9\u30a2\u3092\u958b\u3051\u305f\u77ac\u9593\u304b\u3089\u3001\u305d\u306e\u5834\u306b\u306f\u7b11\u9854\u3068\u3042\u305f\u305f\u304b\u306a\u7a7a\u6c17\u304c\u6e80\u3061\u3066\u3044\u307e\u3057\u305f\u3002\u79c1\u305f\u3061\u306f\u4e92\u3044\u306b\u81ea\u5df1\u7d39\u4ecb\u3092\u3057\u307e\u3059\u3002\u65e5\u672c\u8a9e\u3001\u30dd\u30eb\u30c8\u30ac\u30eb\u8a9e\u3001\u82f1\u8a9e\u2014\u2014\u307e\u3055\u306b\u300c\u30d0\u30d9\u30eb\u306e\u5854\u300d\u306e\u3088\u3046\u306a\u591a\u8a00\u8a9e\u306e\u7a7a\u9593\u3002\u3067\u3082\u8a00\u8449\u306e\u9055\u3044\u306f\u554f\u984c\u3067\u306f\u3042\u308a\u307e\u305b\u3093\u3002\u5927\u5207\u306a\u306e\u306f\u300c\u4f1d\u3048\u305f\u3044\u300d\u3068\u3044\u3046\u6c17\u6301\u3061\u3067\u3059\u3002<\/p>\n

\u305d\u3057\u3066\u3001\u8a00\u8a9e\u4ee5\u5916\u306b\u3082\u3001\u3053\u306e\u30ea\u30cf\u30fc\u30b5\u30eb\u5ba4\u3067\u8a00\u8449\u3092\u8d85\u3048\u3066\u3064\u306a\u304c\u308b\u305f\u3081\u306e\u6700\u826f\u306e\u624b\u6bb5\u304c\u3042\u308a\u307e\u3059\u2014\u2014\u305d\u308c\u304c\u3001\u97f3\u697d\u3067\u3059\u3002
\n\u305d\u306e\u65e5\u3001\u97f3\u697d\u3092\u62c5\u5f53\u3059\u308b\u68da\u5ddd\u5bdb\u5b50\u3055\u3093\u306e\u63d0\u6848\u3067\u3001\u7a3d\u53e4\u306f\u30dc\u30c7\u30a3\u30d1\u30fc\u30ab\u30c3\u30b7\u30e7\u30f3\u3092\u4f7f\u3063\u305f\u540d\u524d\u899a\u3048\u306e\u30b2\u30fc\u30e0\u304b\u3089\u59cb\u307e\u308a\u307e\u3057\u305f\u3002
\n\u30c8\u30fc\u30f3\u30c1\u30e3\u30a4\u30e0\u3092\u9cf4\u3089\u3059\u524d\u306b\u3001\u307e\u305a\u306f\u97f3\u3068\u8eab\u4f53\u3092\u901a\u3057\u3066\u3001\u7a7a\u9593\u3092\u3042\u305f\u305f\u3081\u3066\u3044\u304f\u3002
\n\u305d\u308c\u306f\u3001\u4e92\u3044\u306b\u5b89\u5fc3\u3057\u3066\u58f0\u3092\u51fa\u305b\u308b\u5834\u3092\u3064\u304f\u308b\u305f\u3081\u306e\u3001\u5927\u5207\u306a\u201c\u6700\u521d\u306e\u97f3\u201d\u306e\u3088\u3046\u306b\u611f\u3058\u3089\u308c\u307e\u3057\u305f\u3002
\n\u3000<\/p>\n

\"\"
\n\u30d6\u30e9\u30b8\u30eb\u3092\u30eb\u30fc\u30c4\u306b\u3082\u3064\u770c\u6c11\u53c2\u52a0\u8005\u3092\u7a3d\u53e4\u5834\u306b\u8fce\u3048\u5165\u308c\u308b\u77f3\u795e\u590f\u5e0c\u3055\u3093<\/span>
\n\u3000
\n\u30ea\u30cf\u30fc\u30b5\u30eb\u3067\u306f\u3001\u770c\u6c11\u51fa\u6f14\u8005\u5168\u54e1\u304c\u821e\u53f0\u3065\u304f\u308a\u306b\u95a2\u308f\u308a\u3001\u81ea\u5206\u306e\u30bb\u30ea\u30d5\u3084\u7acb\u3061\u4f4d\u7f6e\u3092\u5c11\u3057\u305a\u3064\u899a\u3048\u3066\u3044\u304d\u307e\u3059\u3002
\n\u4e2d\u306b\u306f\u6f14\u5287\u306e\u7d4c\u9a13\u304c\u307e\u3063\u305f\u304f\u306a\u3044\u4eba\u3082\u3044\u307e\u3059\u304c\u3001\u77f3\u795e\u590f\u5e0c\u3055\u3093\u306f\u305d\u3046\u3057\u305f\u80cc\u666f\u306b\u3082\u4e01\u5be7\u306b\u914d\u616e\u3057\u306a\u304c\u3089\u3001\u3084\u3055\u3057\u304f\u898b\u5b88\u3063\u3066\u304f\u308c\u307e\u3059\u3002
\n\u53c2\u52a0\u8005\u305f\u3061\u306f\u3001\u81ea\u5206\u306e\u5f79\u5272\u3092\u8aa0\u5b9f\u306b\u3001\u305d\u3057\u3066\u5c11\u3057\u305a\u3064\u81ea\u4fe1\u3092\u6301\u3063\u3066\u6f14\u3058\u308b\u3088\u3046\u306b\u306a\u3063\u3066\u3044\u304d\u307e\u3057\u305f\u3002
\n\u3000
\n\"\"<\/p>\n

\"\"<\/p>\n

\"\"<\/p>\n

\"\"
\n\u30aa\u30fc\u30d7\u30f3\u30b9\u30bf\u30b8\u30aa\u306b\u5411\u3051\u305f\u7a3d\u53e4\u98a8\u666f<\/span>
\n\u3000
\n\u30ea\u30cf\u30fc\u30b5\u30eb\u3084\u4f11\u61a9\u306e\u6642\u9593\u3092\u4e00\u7dd2\u306b\u904e\u3054\u3059\u306b\u3064\u308c\u3066\u3001\u96f0\u56f2\u6c17\u306f\u307e\u3059\u307e\u3059\u904a\u3073\u5fc3\u304c\u3042\u308a\u306a\u304c\u3089\u3082\u771f\u5263\u306b\u306a\u308a\u3001\u79c1\u305f\u3061\u306e\u9593\u306b\u306f\u5c11\u3057\u305a\u3064\u4fe1\u983c\u3068\u89aa\u5bc6\u3055\u304c\u82bd\u751f\u3048\u3066\u3044\u304d\u307e\u3057\u305f\u3002\u4e92\u3044\u306e\u7d4c\u9a13\u3084\u5e0c\u671b\u3092\u8a9e\u308a\u5408\u3044\u3001\u97f3\u697d\u3092\u9cf4\u3089\u3057\u3001\u3068\u304d\u306b\u7b11\u3044\u5408\u3046\u3002\u305d\u3046\u3057\u305f\u6642\u9593\u306e\u7a4d\u307f\u91cd\u306d\u304c\u3001\u8ab0\u3082\u304c\u5b89\u5fc3\u3057\u3066\u81ea\u5206\u306e\u5c45\u5834\u6240\u3092\u611f\u3058\u3089\u308c\u308b\u7a7a\u6c17\u3092\u3064\u304f\u3063\u3066\u3044\u304d\u307e\u3059\u3002 \u3053\u306e\u300c\u5c45\u5834\u6240\u306e\u611f\u899a\u300d\u2014\u2014\u81ea\u5206\u3082\u3044\u3066\u3044\u3044\u3093\u3060\u3001\u8a9e\u3063\u3066\u3044\u3044\u3093\u3060\u3001\u3068\u3044\u3046\u5b9f\u611f\u3053\u305d\u304c\u3001\u51fa\u6f14\u3059\u308b\u7686\u3055\u3093\u306b\u3068\u3063\u3066\u3001\u30aa\u30fc\u30d7\u30f3\u30b9\u30bf\u30b8\u30aa\u3092\u901a\u3057\u3066\u5f97\u3089\u308c\u305f\u6700\u3082\u5927\u304d\u306a\u624b\u5fdc\u3048\u3060\u3063\u305f\u3088\u3046\u306b\u601d\u3044\u307e\u3059\u3002\u305d\u306e\u8a73\u3057\u3044\u8a71\u306f\u3001\u307e\u305f\u6b21\u56de\u3002
\n\u3000
\n\"\"<\/p>\n

\"\"
\n\u30c1\u30fc\u30e0\u5168\u54e1\u3067\u30d7\u30ed\u30b8\u30a7\u30af\u30c8\u306b\u95a2\u3059\u308b\u6d3b\u767a\u306a\u8b70\u8ad6\u3092\u4ea4\u308f\u3057\u3066\u3044\u308b\u69d8\u5b50<\/span>
\n\u3000
\n◼️\u81ea\u5df1\u7d39\u4ecb<\/strong>
\n\u3053\u3093\u306b\u3061\u306f\u3001\u79c1\u306f\u30a8\u30ec\u30fc\u30cc\u3067\u3059\u3002<\/p>\n

\u30d5\u30e9\u30f3\u30b9\u30675\u5e74\u307b\u3069\u30d5\u30e9\u30f3\u30b9\u56fd\u7acb\u306e\u5287\u5834\u3067\u306e\u30b9\u30bf\u30c3\u30d5\u3068\u3057\u3066\u7d4c\u9a13\u3092\u7a4d\u3093\u3060\u5f8c\u3001\u300c\u81ea\u5206\u3092\u81ea\u7531\u306b\u3059\u308b\u300d\u305f\u3081\u3001\u65e5\u672c\u3078\u3084\u3063\u3066\u304d\u307e\u3057\u305f\u3002<\/p>\n

SPAC\u306e\u7686\u3055\u3093\u306b\u8fce\u3048\u5165\u308c\u3066\u3044\u305f\u3060\u304d\u3001\u77f3\u795e\u590f\u5e0c\u3055\u3093\u304c\u6f14\u51fa\u3055\u308c2026\u5e74\u6625\u306b\u521d\u6f14\u3092\u4e88\u5b9a\u3057\u3066\u3044\u308b\u300e\u3046\u306a\u304e\u306e\u56de\u904a\u300f\u306e \u5275\u4f5c\u521d\u671f\u306b\u7acb\u3061\u4f1a\u3046\u3068\u3044\u3046\u3001\u304b\u3051\u304c\u3048\u306e\u306a\u30442\u9031\u9593\u3092\u904e\u3054\u3057\u3066\u3044\u307e\u3059\u3002
\n\u3000<\/p>\n

ENGLISH<\/h3>\n

FOLLOWING UP EEL MIGRATION
\nPart III : Meeting the Brazilian community<\/b><\/span>
\n\u3000
\nHave you ever wondered where eels are born?<\/p>\n

Eels lay their eggs thousands of miles from the Japanese coast, and die once it pours out its seed. Once the baby eel is out of its shell, it travels back to Japan to live in the country’s fresh waters. <\/p>\n

In this new project by the Shizuoka Performing Arts Center, director Natsuki Ishigami brings together actors from SPAC and non-professional actors with roots in Brazil who live in Shizuoka, to explore the fascinating journey of these fascinating 100-million-year-old fish. <\/p>\n

\u2018Theatre is the only way to take up a story that someone else started long before I was born\u2019 <\/em>
\n\u3000
\nMaking Theatre with Those Who Are Far from Theatres<\/strong>
\nAs we are getting closer to the Open Studio date, I took advantage of a sunny lunch break to talk to the director Natsuki Ishigami about her artistic approach. For more than ten years, the playwright has dedicated her work to people and places that are far away from theater venues : from villages to urban suburbs, in Japan and around the world, she writes so she can give a voice to those who never come on stage to speak up. Her ambition: to bring theatre to those who feel far away from it. As I listened to her speaking, I nodded enthusiastically, thinking of all the people I have met throughout my career whose lives have been changed thanks to theatre – and that is exactly for situations and ideas like these that I wanted to work in a theater in the first place.<\/p>\n

Since she has been collaborating with SPAC since 2022, Natsuki Ishigami knows how resourceful the place can be, and intends to combine her artistic approach with the talented professionals who work there to create a unique project. Since the very first roundtable, I sensed how important it is for her to take into account everyone’s one singularit\u00e9, individuality and life story. When she started a project, the director systematically asked each of the project members : \u201cHow do you want to die ?\u201d, initiating a discussion on one of the most intimate life moments. Picturing our own death is a way to reclaim our own life trajectory : we do not choose where our life begins, but we can decide, or at least imagine, how it could end. “Theatre gives people the power to tell their story and create their own life narrative,” concludes Natsuki Ishigami as I smile, agreeing with her : If you want to tell everyone how much you belong, what could be better than a space where everyone looks at you and listens to you ?<\/p>\n

\"\"
\nThe director writing her play for unconventional outdoors spaces.<\/span>
\n\u3000
\nHamamatsu, Brazil, and the Eels<\/strong>
\nThe weeks that I spent with the Eel Migration team were not only enriching on a human and artistic level, but they also allowed me to get to know Japan better, especially on matters I would never have imagined. Actually, there are so many things to discover about this fascinating country that marine biology and demographic consequences of migrations policies are not front page topics in tourist guides. Even though I was completely unaware of the common past between Brazil and Japan, thanks to the project I learned about the integration difficulties and treatment inequality that the Brazilian community descending from mid-20th Japanese South America emigrants is facing everyday. This community mostly lives in Hamamatsu, an industrial coastal city in Shizuoka prefecture, also known for its eel production. <\/p>\n

As I don\u2019t eat eels myself, my knowledge of the animal was limited to its endangered species status – and when I am saying that, only thinking of the European Eel, the variety that lives in my home region’s rivers. In Japan, however, Eels hold a much bigger place in the society : they are a symbol in Buddhist culture, and especially prevalent in Japanese cooking, as Japanese are the world\u2019s top consumers. Sweet cakes, sushi, grilled on rice, you can find Eel everywhere in the Japanese gastronomy, which relies on the productivity of eel farms in Hamamatsu that are renowned throughout the country.
\n\u3000
\n\"\"
\nOpen Studio\u2019s bibliography.<\/span>
\n\u3000
\nAs I kept discovering Hamamatsu\u2019s singularities and documenting myself thanks to the bibliographic resources available in the rehearsal room, I increasingly understood the allegorical dimension of the project. Putting eels and people with Brazilian roots at the heart of the artistic process allows everyone to acknowledge them as full life-beings, with their own existence, and to consider them for real, not as scientific or sociological data. Both are like weaved with each other as if these two Hamamatsu\u2019s symbols were intertwined by the questioning of their origin, their migration, focusing on how they are so different and so similar at the same time. I was already convinced by how much Theater is an important way of putting light on human society, but it is hard enough to find a theater contemporary play that puts an animal as the subject of a contemporary play – and as a fervent advocate for animal rights, it is just another reason to support this play even more.
\n\u3000
\nThe arrival of the Brazilian-rooted participants<\/strong>
\nAfter several days of exchanges and rehearsals for the SPAC teams, it is time for us to welcome the amateur participants from Hamamatsu and western area of the prefecture, whom we can\u2019t wait to meet. While the production team and the director already met them, it will be a first encounter for the rest of the team and myself. As they work as employees, stay-at-mothers, entrepreneurs, they all lead very busy lives, which is why we only meet two days before the first Open Studio of the Festival. From the moment they stepped through the door, everyone could see smiles and warm greetings all over the place. We all introduce ourselves, in a mix of languages worthy of the Tower of Babel but it does not matter because one could read behind the words all the excitement and the willingness to connect with each other. And besides language, music is the best way to communicate without words in this rehearsal room, as you already know : before picking up the tone chimes, Hiroko Tanakawa the music composer initiates a body percussion game to help everyone memorize the name and feel comfortable on stage.
\n\u3000
\n\"\"
\nThe director is welcoming the Brazilian-rooted participants. <\/span>
\n\u3000
\nDuring the rehearsals, all the amateur participants take part in the setup and get to know their speaking parts, with the kind-hearted supervision of Natsuki Ishigami who takes into consideration the fact that some of them have never done theater before, and they all learn to play their own part with sincerity and confidence.
\n\u3000
\n\"\"<\/p>\n

\"\"<\/p>\n

\"\"<\/p>\n

\"\"
\nThe Open Studio rehearsals<\/span>
\n\u3000
\nAs we spent more time together during rehearsals and breaks, the atmosphere became
\n more and more playful yet studious, and everything felt comfortable enough to share their lives, hopes and experiences. I felt like a true community is being created here, where every member of the project belongs. This feeling of legitimacy and belonging was actually one of the strongest memories the participants had from the Open Studio, but I will tell you all about it in a future episode.
\n\u3000
\n\"\"<\/p>\n

\"\"
\nThe whole team is actively discussing the project. <\/span>
\n\u3000
\nWho am I?<\/strong>
\nMy name is H\u00e9l\u00e8ne, and after almost five years of experiences in theatre and national stages in France, I’ve come to Japan to lose – or find – myself. Welcomed by the SPAC teams for a few weeks,, I had the chance to follow the setting up of the Open Studio of the Eel Project, a SPAC creation scheduled for Spring 2026, directed by Natsuki Ishigami.
\n\u3000<\/p>\n

FRENCH<\/h3>\n

\u3000
\nSUR LA ROUTE DU PROJET EEL MIGRATION
\nPartie 3 : L\u2019arriv\u00e9e de la communaut\u00e9 br\u00e9silienne<\/b><\/span>
\n\u3000
\nVous \u00eates-vous d\u00e9j\u00e0 demand\u00e9s o\u00f9 naissent les anguilles ?<\/p>\n

Les anguilles pondent \u00e0 des milliers de kilom\u00e8tres des c\u00f4tes japonaises, et d\u00e9c\u00e8dent une fois qu\u2019elles ont fray\u00e9. Leurs petits, une fois sortis de leur coquille, font le trajet inverse pour revenir vivre dans les eaux du Japon.<\/p>\n

Dans ce nouveau projet du Shizuoka Performing Arts Center, la metteur en sc\u00e8ne Natsuki Ishigami r\u00e9unit com\u00e9diens du SPAC et com\u00e9diens non-professionnels, ayant une attache avec le Br\u00e9sil et vivant dans la pr\u00e9fecture de Shizuoka, dans un projet inspir\u00e9 par le fascinant voyage de ces poissons symboliques, vieux de 100 millions d\u2019ann\u00e9es. <\/p>\n

\u201cLe Th\u00e9\u00e2tre est la seule mani\u00e8re de reprendre une histoire que quelqu\u2019un d\u2019autre a commenc\u00e9e bien avant ma naissance\u201d<\/em>
\n\u3000
\nFaire du Th\u00e9\u00e2tre avec ceux qui sont loin des th\u00e9\u00e2tres<\/strong>
\nTandis que la date de l\u2019Open Studio approche, je profite d\u2019une pause d\u00e9jeuner ensoleill\u00e9e pour discuter avec la metteur en sc\u00e8ne Natsuki Ishigami de sa d\u00e9marche artistique. Depuis plus de dix ans, la dramaturge d\u00e9die son travail aux personnes et aux lieux \u00e9loign\u00e9s des salles de spectacle : des villages aux p\u00e9riph\u00e9ries urbaines, au Japon comme ailleurs dans le monde, elle \u00e9crit pour donner la parole \u00e0 ceux qui ne la prennent jamais sur les sc\u00e8nes de th\u00e9\u00e2tre. Son ambition : amener le th\u00e9\u00e2tre \u00e0 ceux qui s\u2019en sentent \u00e9loign\u00e9s. Tandis que je l\u2019\u00e9coute parler, j\u2019hoche la t\u00eate avec enthousiasme en pensant \u00e0 toutes les personnes que j\u2019ai rencontr\u00e9es au cours de ma carri\u00e8re et dont le th\u00e9\u00e2tre a chang\u00e9 la vie – c\u2019est exactement pour des situations comme celles-l\u00e0 que j\u2019ai voulu faire ce m\u00e9tier. <\/p>\n

Collaboratrice du SPAC depuis 2022, Natsuki Ichigami voit dans le projet Eel migration la possibilit\u00e9 d\u2019associer sa d\u00e9marche aux ressources uniques du lieu, riche de nombreux professionnels talentueux, pour cr\u00e9er un projet unique. D\u00e8s les premiers tours de table, je sens combien il est important pour la metteur en sc\u00e8ne de prendre en compte la personnalit\u00e9, l\u2019individualit\u00e9, les r\u00e9alit\u00e9s de vie de chacun. Lorsqu\u2019elle d\u00e9bute un projet, la metteur en sc\u00e8ne demande syst\u00e9matiquement \u00e0 chacun de ses participants : \u201cO\u00f9 est-ce que tu aimerais mourir ?\u201d, initiant une discussion sur l\u2019un des moments les plus intimes d\u2019une existence. Imaginer sa propre mort, c\u2019est se r\u00e9approprier sa trajectoire de vie ; on ne choisit pas o\u00f9 notre vie commence, mais l\u2019on peut d\u00e9cider, du moins imaginer, comment elle se termine. \u201cLe th\u00e9\u00e2tre donne le pouvoir aux gens de raconter leur histoire, et de cr\u00e9er leur propre r\u00e9cit de vie\u201d, conclut Natsuki Ishigami tandis que je souris, tant je suis d\u2019accord avec elle : quoi de mieux qu\u2019un espace o\u00f9 tout le monde vous regarde et vous \u00e9coute pour vous sentir l\u00e9gitime d\u2019\u00eatre au monde ?
\n\u3000
\n\"\"
\nLa metteuse en sc\u00e8ne affectionne particuli\u00e8rement les espaces qui ne sont pas initialement pr\u00e9vus pour le th\u00e9\u00e2tre.<\/span>
\n\u3000
\nHamamatsu, le Br\u00e9sil et les Anguilles<\/strong>\u3000
\nPour moi, les semaines pass\u00e9es avec les \u00e9quipes du projet Eel Migration n\u2019ont pas \u00e9t\u00e9 seulement enrichissantes humainement et artistiquement, elles m\u2019ont \u00e9galement permises de d\u00e9velopper ma connaissance du Japon sur des sujets que je n\u2019aurais jamais imagin\u00e9. Et pour cause, il y a tellement de choses \u00e0 d\u00e9couvrir dans ce pays fascinant, la sp\u00e9cificit\u00e9 de la biologie marine et les cons\u00e9quences d\u00e9mographiques des politiques migratoires ne sont pas en premi\u00e8re page des guides touristiques. Ignorant jusqu\u2019alors totalement l\u2019existence d\u2019un pass\u00e9 commun entre le Br\u00e9sil et le Japon, j\u2019apprends les difficult\u00e9s d\u2019int\u00e9gration et les disparit\u00e9s de traitement v\u00e9cues par les communaut\u00e9s br\u00e9siliennes, descendantes de Japonais ayant \u00e9migr\u00e9 en Am\u00e9rique du Sud au milieu du XXe si\u00e8cle. Cette communaut\u00e9 r\u00e9side majoritairement \u00e0 Hamamatsu, une ville industrielle c\u00f4ti\u00e8re, connue \u00e9galement pour sa production d\u2019anguilles. <\/p>\n

N\u2019en mangeant pas moi-m\u00eame, je ne connaissais l\u2019anguille que par son statut d\u2019esp\u00e8ce en danger d\u2019extinction – et quand je pensais \u00e0 l\u2019anguille, je pensais \u00e0 l\u2019anguille europ\u00e9enne, celle qui peuple les rivi\u00e8res de mon d\u00e9partement d\u2019origine. Au Japon pourtant, l\u2019anguille poss\u00e8de une place qui d\u00e9passe bien largement celle qu\u2019elle occupe chez nous : important dans la culture bouddhiste, source de nombreux myst\u00e8res, l\u2019animal est surtout tr\u00e8s pr\u00e9sent dans les assiettes japonaises qui en sont les premiers consommateurs au monde. En g\u00e2teau sucr\u00e9, en sushi, en grillades, il est un indispensable de la gastronomie du pays qui compte sur la productivit\u00e9 des fermes d\u2019anguilles d\u2019Hamamatsu, r\u00e9put\u00e9es dans tout le pays.
\n\u3000
\n\"\"
\nLa bibliographie de l\u2019Open Studio. <\/span>
\n\u3000
\nPetit \u00e0 petit, tandis que je d\u00e9couvre ces r\u00e9alit\u00e9s du territoire et me documente gr\u00e2ce aux ressources bibliographiques pr\u00e9sentes dans la salle de r\u00e9p\u00e9tition, je per\u00e7ois de plus en plus clairement la dimension all\u00e9gorique de la pi\u00e8ce. Mettre les anguilles, mettre les communaut\u00e9s br\u00e9siliennes au c\u0153ur du processus artistique devient une mani\u00e8re de les consid\u00e9rer comme des \u00eatres \u00e0 part enti\u00e8re, avec une existence propre, et non comme une donn\u00e9e scientifique ou une r\u00e9alit\u00e9 sociologique. Comme tiss\u00e9 l\u2019un avec l\u2019autre, le sort de ces deux symboles d\u2019Hamamatsu vient se m\u00ealer l\u2019un \u00e0 l\u2019autre en questionnant l\u2019origine, la migration, et nos in\u00e9vitables similitudes et diff\u00e9rences avec le monde animal. En tant que fervente d\u00e9fenseuse de la cause animale, je suis ravie de faire cette plong\u00e9e dans le monde des anguilles qui, comme beaucoup d\u2019animaux, sont rarement mises \u00e0 l\u2019honneur comme sujet d\u2019une pi\u00e8ce de th\u00e9\u00e2tre contemporain – raison suppl\u00e9mentaire d\u2019aimer autant le projet.
\n\u3000
\nL\u2019arriv\u00e9e de la communaut\u00e9 d\u2019origine br\u00e9silienne<\/strong>
\nApr\u00e8s plusieurs jours d\u2019\u00e9changes et de r\u00e9p\u00e9titions pour les \u00e9quipes du SPAC, il est temps d\u2019accueillir les participants amateurs d\u2019Hamamatsu que nous sommes impatients de rencontrer. Si l\u2019\u00e9quipe de production et la metteuse en sc\u00e8ne les connaissent d\u00e9j\u00e0, ce sera une premi\u00e8re rencontre pour le reste de l\u2019\u00e9quipe et moi-m\u00eame. Salari\u00e9s, m\u00e8res au foyer, entrepreneurs, ils m\u00e8nent tous des vies bien charg\u00e9es, c\u2019est pourquoi le temps de r\u00e9p\u00e9tition est tr\u00e8s court pour cet Open Studio. D\u00e8s qu\u2019ils franchissent la porte, les sourires sont imm\u00e9diats et les salutations chaleureuses. On se d\u00e9couvre, on se pr\u00e9sente dans un m\u00e9lange de langues dignes de la Tour de Babel, mais cela n\u2019a pas d\u2019importance : l\u2019excitation du projet se ressent chez tout le monde. Outre le langage, vous l\u2019aurez compris, ici pour briser la glace, rien de tel que la musique : avant de prendre les tone chime, Hiroko Tanakawa initie un jeu de body percussion qui nous familiarise avec nos pr\u00e9noms et l\u2019espace sc\u00e9nique. Pendant les r\u00e9p\u00e9titions, tous prennent place dans le dispositif et se familiarisent avec leur prise de parole, sous les directives bienveillantes de la metteuse en sc\u00e8ne Natsuki Ishigami, consciente que certains montent sur sc\u00e8ne pour la premi\u00e8re fois.
\n\u3000
\n\"\"
\nLa metteur en sc\u00e8ne Natsuki Ishigami guide et accueille les participants amateurs. <\/span>
\n\u3000
\n\"\"<\/p>\n

\"\"<\/p>\n

\"\"<\/p>\n

\"\"
\nLes premi\u00e8res r\u00e9p\u00e9titions sur les lieux de l\u2019Open Studio. <\/span>
\n\u3000
\nTandis que nous passons beaucoup de temps ensemble, en r\u00e9p\u00e9titions comme en pauses, l\u2019ambiance devient joyeuse mais studieuse, et nous apprenons chacun \u00e0 mieux nous conna\u00eetre. A mesure que nous partageons nos passions, nos espoirs et nos exp\u00e9riences, nous commen\u00e7ons \u00e0 former une vraie communaut\u00e9 o\u00f9 chacun se sent en confiance, l\u00e9gitime de prendre sa place. Ce sentiment de l\u00e9gitimit\u00e9 et de confiance est d\u2019ailleurs l\u2019un des retours les plus marquants fait apr\u00e8s l\u2019Open Studio, mais \u00e7a, je vous en parlerai dans un prochain \u00e9pisode.
\n\u3000
\n\"\"<\/p>\n

\"\"
\nToute l’\u00e9quipe est en pleine discussion sur le projet. <\/span><\/p>\n

Qui suis-je ?<\/strong>
\nJe m\u2019appelle H\u00e9l\u00e8ne, et apr\u00e8s presque cinq ans \u00e0 travailler en th\u00e9\u00e2tre et sc\u00e8nes nationales en France, je suis venue me perdre au Japon. Recueillie par les \u00e9quipes du SPAC pendant deux semaines, j\u2019ai eu la chance de suivre la mise en place de l\u2019Open Studio du projet Eel Migration, nouvelle production du SPAC pr\u00e9vue au Printemps 2026, dirig\u00e9e par Natsuki Ishigami.<\/p>\n","protected":false},"excerpt":{"rendered":"

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