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SPAC Inclusive theatre
TEATORU-TEOTORU

Reaching for each other’s hands, and feeling with your eyes, ears, and heart;
This is a project to offer a theater experience to all people —the disabled and non-disabled alike—
from infants to the elderly.

　

　
　

“A close and far place”

Conception, direction, and scenography:
FUKASAWA Eri

Music: TANAKAWA Hiroko
　
Once you pass through the entrance gate, you will enter a world inside a looking glass.
There are some strange people right in front of you. Is this real, or is it in your dreams?
You will travel through an imaginary world that spreads out in your mind. In your imagination, you can go to places you do not know and encounter things you have never seen before. Let’s explore such world together, where the ordinary becomes extraordinary.
　　

　

Cast

SUZUKI Mariko	MISHIMA Keita	MORIYAMA Fuyuko
Sheep/White Queen	Hatter/Book	Flower/Red Queen

　

Information

2024
◆Performances for babies (3 month~3 years old):
16 November, Saturday at 11:00
17 November, Sunday at 11:00
　
◆Barrier-free performances:
16 November, Saturday at 15:00
17 November, Sunday at 15:00

＊Duration: approx. 30min

Venue: Kamoe Art Center, Hamamatsu
　　

Access

Kamoe Art Center, Hamamatsu
1 Kamoe-cho, Chuo-ku Hamamatsu City, Shizuoka, 432-8024 Japan

Approx. 15minutes walk from JR Hamamatsu Station.
Pay parking available nearby.
　

＜Barrier-free services at this performance＞

– There are guide staff and sign language interpreters(Japanese only) at the venue.
– Please contact the SPAC Ticket Center in advance for any assistance you may need to enjoy the performance.
– You can watch the performance without getting out of your wheelchair.
– A wheelchair-friendly toilet is available on the 1st floor and on the 2nd floor (accessible with an elevator).
– Guests with an assistant dog are also welcome.
– There are spaces for diaper changing and nursing within the facility.

　

Ticket

◆Prior reservation for SPAC Members begins: 6 October, Sunday at 10:00
◆Advance tickets sale begins: 13 October, Sunday at 10:00
　
◎Ticket prices
*TAX included

●under 18 years: 500 yen
●18 years and over: 1,500 yen
　
◎How to Purchase
●Online reservations

Reservation and Contact Form

　
●Phone reservations
from 10:00-18:00 at SPAC ticket center
TEL. +81-(0)54-202-3399

●Purchase at BOX Office
Shizuoka Arts Theatre (10:00-18:00)
Kamoe Art Center (9:00-21:30)
　
Day Ticket
Available at the venue for leftover seats, from one hour prior to each performance.
*Please confirm ticket availability on the day by phone or by visiting our website
　

Staff

Costume design: KOMAI Yumiko
Stage: MORI Masashi
Production: KEIMI Aoi, SAKANAKA Toshiki
Flyer design: HAHAHANO.LABO
　
Produced by SPAC-Shizuoka Performing Arts Center
Co-produced by Kamoe Art Center, Hamamatsu
Supported by the Agency for Cultural Affairs, Government of Japan through the Japan Arts Council
Approved by Fujinokuni Arts Festival

　

　
　

Conception, direction,
and scenography:
FUKASAWA Eri

　

Music:
TANAKAWA Hiroko

This story, which has been handed down for more than 1,000 years, gently examines the relationship between nature and humanity.

OKAKURA, who is generally known in Japan as Tenshin, loved Kabuki and traveled to many countries and is credited with an important role in introducing Japanese and Asian arts to the world. However, by the end of the 1868–1912 Meiji Era, when people were excited about the modernization and westernization of Japan, he was despairing of both his own country’s and Western countries’ future.

After enjoying Western opera during various stays in the United States, he wrote his English-language libretto “The White Fox” for the Boston Opera House just before his death. Now, SPAC’s general artistic director, MIYAGI Satoshi, is set to breathe new life into that work in this production he directs using his characteristic logos (speaker) and pathos (mover) method in which two actors share one role — and can also play music live on stage.

In this way, together with some reworking of the libretto, Miyagi is eager to bring the opera Tenshin dreamed of to full bloom in Spring in Shizuoka…

Story Line

One day when she is nearly killed, the queen of the foxes, Kolha, is rescued by a man named Yasuna. Then, when Kolha hears that Yasuna’s lover, Kuzunoha, has been kidnapped, Kolha turns into her double and appears in front of him. Later, after Kolha and Yasuna have been living happily together for a while, Kolha hears that Kuzunoha is safe and well — and she makes a decision . . .

Information

【Shizuoka】
2024 3 May at 19:00, 4 May at 19:00, 5 May at 19:00, 6 May at 19:00

Venue：at Momijiyama Garden Square, Sumpu Castle Park

＜Events＞
〈Pre-performance Talk〉
Starting at 18:15, OOOKA Jun will introduce some points to make the play interesting to watch at the Festival garden.(approx 10 min/participation free/no reservation required)
〈Pre-performance〉
Starting at 18:30, there will be a pre-performance “Mini Byaccoden” in front of the venue by students of Shimizu Minami Senior High School, Art Department. (approx 5 min / participation free / no reservation required)
　

　
【Hamamatsu】LAKE HAMANA HAMANAKO2024
2024 25 May at 14:30

Venu：at Outdoor Stage, Hamanako Garden Park

　
Duration: 85 minutes in Japanese
※Performances will be held even if it rains.（There is a roof over the seats）

Ticket

【Shizuoka】Please visit festival website for details.
https://festival-shizuoka.jp/en/ticket/
　
【Hamamatsu】＊Admisshion free／You need the ticket to Hamanako Garden Park.
Please visit LAKE HAMANA HAMANAKO2024 website for details.
https://hanahaku2024.jp/ticket/
　

Staff / Cast

Direction and Script: MIYAGI Satoshi
Written: OKAKURA Tenshin（“THE WHITE FOX”）
Music: TANAKAWA Hiroko

Cast: Micari, MIYAGI Satoshi :instead of HAYAMA Haruyo, IKEDA Makiko, UCHIYAMA Reina, OUCHI Yoneji, OOTAKA Kouichi, KATO Yukio, KAWAMURA Wakana, KIJIMA Tsuyoshi, SAKAKIBARA Yuumi, SAKURAUCHI Yu, SUZUKI Mariko, TATENO Momoyo, TERAUCHI Ayako, FUJIMI Hana, FUSE Asuka, HONDA Maki, MORIYAMA Fuyuko, YOSHIUE Soichiro, WAKANA Daisuke, WATANABE Takahiko

Prop Design: FUKASAWA Eri
Lighting Design: HANAWA Yuki
Sound Design: SAWADA Yukino
Costume Design: SEI Chigusa
Hair and Makeup Design: KAJITA Kyoko

Assistant Director: NAKANO Masaki
Stage Manager: OGAWA Tetsuro
Stage: SUGIYAMA Yuri,　SATO Yosuke, YOSHIDA Yuna, TSUCHIYA Katsunori(Hamamatsu), MORI Masashi(Hamamatsu)
Lighting: YOSHITSUGU Keisuke, MIZUNO Hikaru
Sound: OTSUKI Minori, MAKISHIMA Koji(S.C.ALLIANCE), MOCHIZUKI Ami(S.C.ALLIANCE)
Pupet Design: YOSHIDA Yuna
Art Work Production: SATO Yosuke, MORI Masashi
Costume: SEI Chigusa, MAKINO Saho, IKEDA Yuna, ISHIKAWA Mitsuteru, TAKAHASHI Kayako, Madeleine Tessier(Intern)
Wardrobe: SEI Chigusa, IKEDA Yuna
Hair and Makeup: KAJITA Kyoko, TAKAHASHI Norimitsu(Shizuoka), WAKABAYASHI Akane(Hamamatsu)
Surtitle Translation(Chinese/Korean): Brainwoods Corporation, Ltd.
Surtitle Translation(English) :Ash
Assistant Director・Surtitle Operator: OISHI Takako
Kolha’s Gown Design in the Second Act: TAKAHASHI Kayo
Volunteers: IGARASHI Etsuko, HIRATSUKA Keiko, MIYAHARA Junko, MUTO Tsukiko
Production: OISHI Takako, SATO Hiko, NAKMURA Yuki(Hamamatsu)

Managing Director: NARUSHIMA Yoko
Technical Director: MURAMATSU Atsushi
Lighting Manager: HIGUCHI Masayuki
Sound Manager: SAWADA Yukino

Flyer design: ABE Taichi (TAICHI ABE DESIGN INC.)
Photo: KATO Takashi
Make up: KAJITA Kyoko

Production: Shizuoka Performing Arts Center (SPAC)
Organization: the Committee of the Open-air Performing Arts Festival under Mt. Fuji

　
　
【Director’s Profile】
MIYAGI Satoshi
MIYAGI Satoshi
MIYAGI Satoshi Born in Tokyo in 1959, after studying aesthetics at Tokyo University under ODASHIMA Yushi, WATANABE Moriaki and HIDAKA Hachiro, he founded the KU NA’ UKA theater company in 1990 and soon began staging plays overseas as well as in Japan. As a result, MIYAGI’s work — in which he often fuses contemporary textual interpretations with physical techniques and patterns of Asian theatre — has long been acclaimed both at home and far beyond. Indeed, in 2004 he received the 3rd Asahi Performing Arts Award, and the next year the 2nd Asahi Beer Art Award. Since taking up his position with SPAC in April 2007, MIYAGI has staged many of his own works — including “Medea”, the Hindu epic “Mahabharata”, and “Peer Gynt” — and has invited artists from abroad to present pieces casting a keen eye on the modern world as they see it. In line with his aim to make theatre “a window to the world,” he has also started a new SPAC-based project aimed at the youth of Shizuoka. In 2014, MIYAGI was invited to the Festival d’Avignon, where he received excellent reviews for his open-air version of the Hindu epic “Mahabharata” staged in La Carrière de Bourbon. Following that landmark achievement, the festival extended the honor of inviting MIYAGI to present a Buddhist interpretation he created of the ancient Greek mythological tragedy “Antigone” as its super-prestigious opening program for 2017. On that occasion, which was the first time an Asian play had ever been selected to launch the festival, MIYAGI’s exalted “stage” was the open-air Cour d’honneur du Palais des papes (the Honor Court of the Palace of Popes). By the play’s end, those towering medieval stone walls were ringing out with long and splendid standing ovations welcoming the work’s director and creator along with SPAC’s actors and staff — while more than 60 European media all gave great reviews. In 2018, he received the 68th Minister of Education, Culture, Sports, Science and Technology’s Art Encouragement Prize of Drama. Also he received “Chevalier de l’Ordre des Arts et des Lettres” from the Ministry of Culture of France in 2018. In 2023, he received the Japan Foundation Awards, La médaille d’or du Rayonnement Culturel de La Renaissance Française.
　
【Writer’s Profile】
OKAKURA Tenshin
OKAKURA Tenshin Okakura (generally known in Japan as Tenshin) was an artadministrator and philosopher in the period following the restoration of the Meiji Emperor in 1868. He entered the University of Tokyo in 1887, the year it opened,where he met the professor of philosophy and political economy Ernest Fenollosa, an American expert on art history and Japanese art. After he graduated, Tenshin became secretary to the Minister of Education. He also participated in founding the Tokyo School of Fine Arts (today’s Tokyo University of the Arts), and surveyed antiques with Fenollosa. Although he had become president of that school in his 20s, he resigned in 1897 over policy differences. In the same year, however, he founded the Nihon Bijutsuin (Japan Visual Arts Academy) together with the great painter YOKOYAMA Taikan Yokoyama. Then in 1901 “The Ideals of the East” — a book Tenshin wrote in English during a two- year trip to India — was published in London. Soon after, he was invited to the Museum of Fine Arts, Boston, where he was appointed director of the Oriental department. Then, in 1906 in New York, he published his renowned work “The Book of Tea”, again in English. He died of a heart attack at his mountain villa in Niigata Prefecture on Sept. 2, 1913, at the age of 50.