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2019年10月4日

Peer Gynts – Asylum’s Dreams

Modern Asia portrayed in Peer Gynts
—A journey to find your true identity in a challenging era

Leading edge Indonesian stage producer Yudi Ahmad Tajudin found a portrait of modern Asia in the story of the ever-wandering traveler Peer. Japanese dancer KAWAGUCHI Takao, composer MORINAGA Yasuhiro, and SPAC actor Micari join other artists from across Asia for the creating-while-traveling process of the play, moving from Indonesia to Tokyo to Shizuoka. Other SPAC actors will also join to launch the stage in Shizuoka.
 

▼Workshop and Work In Progress Performance in East Flores (Indonesia)

 
Original text: Henrik IBSEN
Translation: Mitsuya Mori

Script and Direction: Yudi Ahmad Tajudin

In a collaboration with:
Ugoran Prasad (Dramaturg)
KAWAGUCHI Takao (Performance artist/Dancer/Choreographer)
Venuri PERERA (Choreographer/Dancer)
Micari (Actress[SPAC])
Muhammad Nur Qomarudin (Actor/Dancer)
MORINAGA Yasuhiro (Sound artist/Composer)
NGUYEN Manh Hung (Visual artist)
Arsita Iswardhani (Actress/Performance artist)
Gunawan Maryanto (Actor/Writer)

/ OUCHI Yoneji, SATO Yuzu, TATENO Momoyo, MAKIYAMA Yudai, MIYAGISHIMA Haruka, WAKAMIYA Yoichi (actor[SPAC])


 


Ugoran Prasad
 
 

 KAWAGUCHI
   Takao

 

Venuri PERERA
 
 

   Micari
 
 

 Muhammad
Nur Qomarudin

 

 MORINAGA
  Yasuhiro

 

  NGUYEN
 Manh Hung

 

Arsita Iswardhani
 
 

Gunawan Maryanto
 
 
 


 OUCHI Yoneji
 
 

 SATO Yuzu
 
 

TATENO Momoyo
 
 

MAKIYAMA Yudai
 
 

MIYAGISHIMA
  Haruka

 

WAKAMIYA Yoichi
 
 



 

Information

■Schedule
2019

9 November, Saturday 14:00  *Post-performance talk
     *Shuttle bus from Tokyo  
 
10 November, Sunday 14:00  *Guidance for theatre beginners
     *Post-performance talk
     *Shuttle bus from Hamamatsu
 
16 November, Saturday 14:00  *Backstage tour
     
17 November, Sunday 14:00  *Backstage tour
     

With Japanese / English subtitles
Duration: to be decided
Venue: Shizuoka Arts Theatre access

Performances for junior and high-school students

The mark “*” means the performances that have available seats for general audience. (The tickets are limited.)
  


5 November, Tuesday at 13:30
8 November, Friday at 13:30
11 November, Monday at 13:30*
14 November, Thursday at 13:30* / 18:00*
15 November, Friday at 13:30*
18 November, Monday at 13:30*
19 November, Tuesday at 13:30*

Related events

Post-performance talk by the artists and guests: after the performance.
9 November, Saturday
10 November, Sunday

Pre-Performance Talk: Starting 25 minutes before each performance.

Meet us at Cafe Cinderella!
After the performance, the actors will come to see you off in their stage costumes. We hope you will take this opportunity to interact with the actors!

バックステージツアーBackstage tour
The technical staff will take you on a special backstage tour. You can also ask us your questions about the stage.
16 November, Saturday
17 November, Sunday
Every day, after the show
Time: About 30 minutes
Free of charge. Reservation required. Up to 40 people.

Guidance for theatre beginners
SPAC actors will give beginner audiences a lecture on what to look for and pay attention to before the performance. This event can be participated in by both those seeing the performance for the first time and repeaters.
10 November, Sunday at 12:30
Time: About 60 minutes
In Japanese
Free of charge. Reservation required. Up to 20 people.

Shuttle bus to Shizuoka Arts Theatre

<From Tokyo>
9 November, Saturday
9:30 Shibuya → 13:00 Shizuoka Arts Theatre

<From Hamamatsu>
10 November, Sunday
11:30 Hamamatsu → 13:00 Shizuoka Arts Theatre

*Returning bus will run after Post-performance talk / Backstage tour.
**Reservation is required.

Ticket Price

4,200 yen (One viewing for regular adult)

SPAC Membership Discount
3,500 yen (One viewing for regular adult)

Pair Discount
3,700 yen per person

Group Discount
3,300 yen per person for group of 3 or more

Senior Discount
3,500 yen for seniors over 60
*Please present ID at door

Student Discount
2,000 yen (University)
1,000 yen (High School and under)
*Please present school ID at door

Handicap Discount
2,900 yen (for those who possess handicap passbook)

*Cannot use more than one discount per purchase.
*Please inform use of discount when making reservation.

How to Purchase

Prior Reservation for Membership begins: 21 September at 10:00
Advance Tickets Sale begins: 28 September at 10:00
 
●Online reservations
bnr_getti_e
– Please enter from the language button “English”.
– Payment is possible with the following credit cards: DC, UFJ, NICOS, VISA, and Master. Tickets purchased through this website can be received at the venue from one hour prior to each performance.

 
●Phone reservations
from 10:00-18:00 at SPAC ticket center
TEL. +81-(0)54-202-3399
 
●Purchase at BOX Office
SPAC ticket center (10:00-18:00)
 
●Purchase at Seven Eleven
Please use Multi Copy Machine inside stores
 
Day Ticket
Available at the entrance counter for leftover seats, from one hour prior to each performance.
*Please confirm ticket availability on the day by phone or by visiting Twitter (@_SPAC_)

*Ticket reservations will finish at 18:00 on the day before the performance.

Please refrain from taking infants to the ordinary seats.
 
[Nursery room] (up to three children, based on a first come first served basis; reservation required)
SPAC provides a nursery room where you can watch the performance with your infant children.

Staff

Lighting design: Ignatius Sugiarto
Costume design: KOMAI Yumiko

Stage manager: UCHINO Akiko
Assistant stage manager: TAKEISHI Morimasa
Stage: YAMAZAKI Kaoru
Lighting: HISAMATSU Yuka
Sound: MIGITA Soichiro, TAKESHIMA Chisato
Art work: SATO Yosuke, YOSHIDA Yuna
Wardrobe: SATO Rise
Technical director: MURAMATSU Atsushi
Interpreter: AISO Nobuko, MIZUNO Hibiki

Script translation: Ash

Production: NAKANO Sakiko, KEIMI Aoi, Lusia Neti Cahyani
Producer: Rama Thaharani

Produced by SPAC-Shizuoka Performing Arts Center
Co-produced by Teater Garasi/Garasi Performance Institute
Supported by the Agency for Cultural Affairs, Government of Japan through the Japan Arts Council, Japan Foundation for Regional Art-Activities

[“Multitude of Peer Gynts” project]
Supported by Japan Foundation Asia Center, Indonesian Agency for Creative Economy (BEKRAF), The Saison Foundation
In partnership with: East Flores Municipal Office

Multitude of Peer Gynts is one of winners of Ibsen Scholarship 2019


  

 
 170131beyond2020_logo  2018_gmark

Yudi Ahmad Tajudin
is founding member and artistic director of Teater Garasi/Garasi Performance Institute -an artist initiative and inter-disciplinary artist collective based in Yogyakarta-Indonesia and a 2013 Prince Claus Award Laureate. Yudi’s performing art works have been performed on international stages in Indonesia, Singapore, Germany and Japan. He has been involved in intercultural collaboration works with many noted theatre groups and artists, and interdisciplinary projects — dance, visual-art, music and contemporary opera. Known as a cutting edge director who has brought Indonesia’s theater scene to the next aesthetic level, Yudi was granted an ‘Art Award 2014’ from Ministry of Culture, Indonesia, and received Asian Cultural Council fellowship to study New York theatre scene in 2011-2012.

 

2019年8月13日

Ode to Joy

Ode to Joy (2018) at Open Air Theatre “UDO”, Shizuoka Performing Arts Park


MIYAGI Satoshi’s Legendary Comedy Stage Is Coming Back!

Originally written by playwright KITAMURA So, Ode to Joy has long been praised as a monumental work in the history of Japanese modern performing arts. The plot takes place in a fictional suburban city in western Japan that has just come out of a nuclear war. While left-over missiles are still flying overhead, a strolling entertainer, Gesaku, a young lady, Kyoko, and a mysterious man, Yasuo, wander together in the city, singing and dancing to chindon music and indulging in comic discourse. This masterpiece, which sold out the seats of Open Air Theatre “UDO” of the Shizuoka Performing Arts Park last spring, is making its comeback at SPAC! What will the three wanderers see at the end of their journey?
 
Directed by MIYAGI Satoshi
Written by KITAMURA So
Set design: KAMIIKE Takuya

Cast


 Gesaku
 OKUNO Akihito

 Kyoko
 TAKII Miki

 Yasuo (Yeshua)
 KASUGAI Ippei


Information

■Schedule
2019

12 October, Saturday 14:00  *Guidance for theatre beginners              
     *Post-performance talk
     *Shuttle bus from Eastern Shizuoka
13 October, Sunday 14:00  *Backstage tour
     *Nursery service
19 October, Saturday 14:00  *Backstage tour
     *Nursery service
20 October, Sunday 14:00  *Post-performance talk
     
26 October, Saturday 14:00  *Backstage tour
     

In Japanese with English subtitles
Duration: 90 minutes
Venue: Shizuoka Arts Theatre access

Performances for junior and high-school students

The mark “*” means the performances that have available seats for general audience. (The tickets are limited.)


11 October, Friday at 14:30*
15 October, Tuesday at 13:00*
17 October, Thursday at 13:30
18 October, Friday at 12:00
21 October, Monday at 13:30
23 October, Wednesday at 13:30 / 18:00*
24 October, Thursday at 12:00
25 October, Friday at 13:30

Related events

Pre-Performance Talk: Starting 25 minutes before each performance.
 
Post-performance talk by the artists and guests: after the performance.
12 October, Saturday
◎Talk by KAMIIKE Takuya, MIYAGI Satoshi and OSAWA Masachi (Sociologist from SPAC Literary Department)

20 October, Sunday
◎Talk by MIYAGI Satoshi, all casts and NAKAMURA Yuki (Production Staff)
 
Meet us at Cafe Cinderella!
After the performance, the actors will come to see you off in their stage costumes. We hope you will take this opportunity to interact with the actors!
 
バックステージツアーBackstage tour
The technical staff will take you on a special backstage tour. You can also ask us your questions about the stage.
13 October, Sunday
19 October, Saturday
26 October, Saturday

Every day, after the show
Time: About 30 minutes
Free of charge. Reservation required. Up to 40 people.
 
Guidance for theatre beginners
SPAC actors will give beginner audiences a lecture on what to look for and pay attention to before the performance. This event can be participated in by both those seeing the performance for the first time and repeaters.
12 October, Saturday at 12:30
Time: About 60 minutes
In Japanese
Free of charge. Reservation required. Up to 20 people.

Shuttle bus to Shizuoka Arts Theatre

<From Eastern Shizuoka>
12 October, Saturday
Departure from Shuzenji-station to Shizuoka Arts Theatre

10:10 Shuzenji-station(South exit)

11:05 Mishima-station(North exit)

11:40 Numazu-station(North exit)

13:00 Shizuoka Arts Theatre

*Returning bus will run after Post-performance talk / Backstage tour.
**Reservation is required.

Ticket Price

4,200 yen (One viewing for regular adult)

SPAC Membership Discount
3,500 yen (One viewing for regular adult)

Pair Discount
3,700 yen per person

Group Discount
3,300 yen per person for group of 3 or more

Senior Discount
3,500 yen for seniors over 60
*Please present ID at door

Student Discount
2,000 yen (University)
1,000 yen (High School and under)
*Please present school ID at door

Handicap Discount
2,900 yen (for those who possess handicap passbook)

*Cannot use more than one discount per purchase.
*Please inform use of discount when making reservation.

How to Purchase

Prior Reservation for Membership begins: 27 July at 10:00
Advance Tickets Sale begins: 3 August at 10:00
 
●Online reservations
bnr_getti_e– Please enter from the language button “English”.
– Payment is possible with the following credit cards: DC, UFJ, NICOS, VISA, and Master. Tickets purchased through this website can be received at the venue from one hour prior to each performance.

 
●Phone reservations
from 10:00-18:00 at SPAC ticket center
TEL. +81-(0)54-202-3399
 
●Purchase at BOX Office
SPAC ticket center (10:00-18:00)
 
●Purchase at Seven Eleven
Please use Multi Copy Machine inside stores
 
Day Ticket
Available at the entrance counter for leftover seats, from one hour prior to each performance.
*Please confirm ticket availability on the day by phone or by visiting Twitter (@_SPAC_)

*Ticket reservations will finish at 18:00 on the day before the performance.

Please refrain from taking infants to the ordinary seats.
 
[Nursery room] (up to three children, based on a first come first served basis; reservation required)
SPAC provides a nursery room where you can watch the performance with your infant children.

[Nursery service] 
Please contact us at least one week in advance if you would like to use the free nursery service run by volunteers.
13 October, Sunday
19 October, Saturday
Coverage: Infants aged two and under

Staff

Original lighting design: KITO Ayumi
Costume design: KOMAI Yumiko

Stage manager: FURUYA Kazumi
Assistant director: NAKANO Masaki
Stage: KAMIYA Toshiki, SUGIYAMA Yuri
Sound: HARADA Shinobu, HAYASHI Tetsuya
Lighting: KOBAYAKAWA Hiroya
Assistant Set designer: TAKECHI Kanako
Art work: WATANABE Hiroki
Wardrobe: KAWAI Reiko, SATO Rise
Subtitle translation: MITACHI Riho
Subtitle operation: NAGAI Sayako
Production: YUKIOKA Jun, IRIE Kyohei

Flyer design: ABE Taichi (TAICHI ABE DESIGN INC.)
 
Produced by SPAC-Shizuoka Performing Arts Center
Supported by the Agency for Cultural Affairs, Government of Japan through the Japan Arts Council
Licence number: So Kitamura 2019 No. 0007 Hirofumi Okano
Premiere: Mini Theater, Aichi Prefectural Art Theater (Co-production by Aichi Prefectural Art Theater & SPAC-Shizuoka Performing Arts Center)
 
  170131beyond2020_logo  2018_gmark


 


MIYAGI Satoshi

General Artistic Director of Shizuoka Performing Arts Center (SPAC)
Born in Tokyo in 1959, after studying aesthetics at Tokyo University under ODASHIMA Yushi, WATANABE Moriaki and HIDAKA Hachiro, he founded the KU NA’ UKA theater company in 1990 and soon began staging plays overseas as well as in Japan. As a result, MIYAGI’s work — in which he often fuses contemporary textual interpretations with physical techniques and patterns of Asian theatre — has long been acclaimed both at home and far abroad. Indeed, in 2004 he received the 3rd Asahi Performing Arts Award, and the next year the 2nd Asahi Beer Art Award.
Since taking up his position with SPAC in April 2007, MIYAGI has staged many of his own works — including “Medea”, the Hindu epic “Mahabharata”, and “Peer Gynt” — and has invited artists from abroad to present pieces casting a keen eye on the modern world as they see it. In line with his aim to make theatre “a window to the world,” he has also started a new SPAC-based project aimed at the youth of Shizuoka.
In 2014, MIYAGI was invited to the Festival d’Avignon, where he received excellent reviews for his open-air version of the Hindu epic “Mahabharata” staged in La Carrière de Boulbon. Following that landmark achievement, the festival extended the honor of inviting MIYAGI to present a Buddhist interpretation he created of the ancient Greek mythological tragedy “Antigone” as its super-prestigious opening program for 2017. On that occasion, which was the first time an Asian play had ever been selected to launch the festival, MIYAGI’s exalted “stage” was the open-air Cour d’honneur du Palais des papes (the Honor Court of the Palace of Popes). By the play’s end, those towering medieval stone walls were ringing out with long and splendid standing ovations welcoming the work’s director and creator along with SPAC’s actors and staff — while more than 60 European media all gave great reviews.
In 2018, he received the 68th Minister of Education, Culture, Sports, Science and Technology’s Art Encouragement Prize of Drama. Also he recieved “Chevalier de l’Ordre des Arts et des Lettres” from the Ministry of Culture of France in 2018.

 
KITAMURA So
Now aged 65, KITAMURA So is one of Japan’s leading playwrights, novelists and essayists. Back in the 1980s, however, he drew lots of attention as a leading figure in this country’s so-called “small-scale theatre movement” with his masterpiece Hogiuta (Ode to Joy) that premiered in 1979 and has been performed continuously as a modern classic since then.
In 1984, KITAMURA won the prestigious 28th Kishida Drama Award with his play 11 Nin no Shonen (Eleven Boys), and followed that in 1990 with the Kinokuniya Theatre Awards for Yuki wo Watatte Dai ni ko Tsuki no Akarusa (Pass over snow: The Second Draft; Moonlight). Since 2013 he has written a new series of original plays based on classic works of Japanese literature. The first of these, titled Goodbye and based on the great novelist DAZAI Osamu’s eponymous unfinished novel, won the 17th Tsuruya Nanboku Drama Award in 2014.
Since 1996, meanwhile, as part of his longstanding effort to foster the talents of young writers, KITAMURA has also delivered lectures at Ai Hall, the public theatre in Itami City, Hyogo Prefecture, in a series titled “So’s private lesson in Itami on how to write a play.”

 

2019年6月11日

Romeo and Juliet

“The universally recognized masterpiece of tragic romance, artfully crafted under the superb direction of Mr. Omar PORRAS.”

Mr. Porras is known for the work he does in integrating the classical with the modern, and the oriental culture with that of the west. He has already shocked and awed audience members with his production of “Don Juan” by using unique and individualized masks to tremendous effect. He also captivated audiences with his production of “Bolivar, Fragments of a Dream” set in the wilderness of South America. Now, the eclectic and eccentric Mr. Porras has the challenge of conjuring up a rendition of Shakespeare’s classic masterpiece, Romeo and Juliet.

As for the performers, not only does the cast list boast a great many veteran actors from SPAC, but it also includes talented english, french and québécois actors from Mr. Porras’s own theatre company, Teatro Melandro. These actors must overcome both linguistic and theatrical boundaries as they strive to create harmony within a production riddled with styles ranging from Latin rhythm to traditional Japanese dance.

While the show is currently only scheduled for a run in Shizuoka, there are already several theaters that have expressed an interest in mounting the show in Europe once this run closes. So, who knows where this fresh, new production might wind up!

Adapted and directed by Omar PORRAS
Original text by William SHAKESPEARE
Japanese text translated by KAWAI Shoichiro
French text translated by Francois-Victor Hugo
Adapted by Marco SABBATINI and Omar PORRAS
Japanese text by YOSHINO Mai

Cast:
OUCHI Yoneji, KIJIMA Tsuyoshi, TAKEISHI Morimasa, TATENO Momoyo, Micari, YAMAMOTO Miyuki, YOSHIMI Ryo, WATANABE Takahiko, Louis FORTIER, Pierre-Yves Le LOUARN, Sophie BRECH

Production: SPAC – Shizuoka Performing Arts Center, Teatro Malandro

Co-production:
Espace Malraux Scene Nationale de Chambery et de la Savoie
Centre National de Creation et de Diffusion Culturelles de Chateauvallon

Sponsorship:
La Ville de Geneve, Departement de la Culture, Republique et Canton de Geneve, Pro Helvetia, Fondation Suisse pour la Culture, La Loterie Romande, Fondation Leenaards, La Fondation pour la promotion de lieux pour la culture emergente.

Language:
In Japanese and French with Japanese subtitle

Blog: Creation of “Romeo and Juliet”

Venue

Shizuoka Arts Theatre
79-4 Ikeda, Suruga-ku Shizuoka City, Shizuoka, JAPAN 422-8005
Please find details on our access page
or contact SPAC ticket center (+81-54-202-3399).

Date

November 24th (Sat) at 16h00, 25th (Sun) at 14h00
December 1st (Sat) at 16h00, 2nd (Sun) at 14h00, 8th (Sat) at 16h00, 9th (Sun) at 14h00

Rendez-vous at Café Cinderella
Let’s enjoy chats with actors just after viewing the show. Join us at Café Cinderella.

Artistic talk session
November 24th (Sat) KAWAI Shoichiro (Tokyo University), Omar PORRAS and MIYAGI Satoshi
December 1st (Sat) ONODERA Syuji (Director) and MIYAGI Satoshi
December 8th (Sat) KASAI Akira (Choreographer) and MIYAGI Satoshi

Special talk session
November 25th (Sun)
“Theatre for Omar PORRAS – Colombia, Europe and Shizuoka”
By Omar PORRAS moderated by YOKOYAMA Yoshiji (Dramaturg, SPAC)

Backyard tour
December 2 (Sun) and 9 (Sun)

Limousin bus

-From Shibuya, Tokyo (1,000 JPY/ one way)
November 24th (Sat), 25th (Sun) , December 1st (Sat), December 8th (Sat)

– From Hamamatsu, Shizuoka (Free of charge)
December 2nd

– From Mishima / Numazu, Shizuoka (Free of charge)
December 9th

*Please find details on our bus page or contact SPAC ticket center (+81-54-202-3399).

Performance day for Junior and High school Students

November 19th (Mon)13:00, 20th (Tue)12:00, 21 (Wed) 13:30, 26 (Mon)13:45, 27(Tue)18:30, 28(Wed)18:30, December 3rd (Mon)12:30, 4th (Tue)13:30, 5th (Wed)13:30, 6th (Thu)11:00/14:30, 7th (Fri)13:30, 10th (Mon) 13:30, 12 (Wed)13:30, 13th (Thu)13:30, 14th (Fri)13:00

Ticket

General 4,000 JPY/University student 2,000 JPY/under High school student 1,000 JPY

*Furthermore, other valuable disccount service are available.
Please check details on our ticket page or or contact SPAC ticket center (+81-54-202-3399).

staff

Assistant director: Fabiana MEDINA
Technical director: MURAMATSU Atsushi
Scenery decoration: Omar PORRAS (Scenography is inspired by interior design of “DAENDO” in Shizuoka Performing Arts Park)
Scenography adviser: Amelie KIRITZA-TOPOR
Scenography: FUKASAWA Eri, SATO Yosuke
Stagehands: ICHIKAWA Kazumi, SATO Kiyoshi, NAGANO Masahito
Composer: Alessandro RATOCI
Sound designer: Emmanuel NAPPEY
Sound: NISHIZAWA Rieko, KOJIMA Yoshimasa
Lighting designer: IWASHINA Takeaki (Saitama Arts Foundation)
Lighting operator: KOBAYAKAWA Hiroya
Lighting: MATSUMURA Ayaka
Costume: KOMAI Yumiko, OKAMOTO Takako, IWASAKI Akiko, OKAMURA Eiko, OOKA Mai
Costume adviser: DOMOTO Kyoko
Costume assistants: ICHIKAWA Akiko, SEI Chigusa
Wig and make-up designer : Veronique NGUYEN
Wig and make-up assistant: HATA Jennifer Yuki
Swordfight: SEKI Takanoshin
Interpreter: ISHIKAWA Hiromi, Blandine DELETOILLE
Press & Communication: Sara DOMINGUEZ
Administration: Florence CRETTOL
Production and subtitle: SAEKI Kazato, ITO Naoko
Intern: Taylor HELMBOLDT

Flyer

Blog

Video

Omar PORRAS

2019年4月27日

The White Hare of Inaba-Navajo


 

“The White Hare of Inaba-Navajo” in Paris

Date&Time:
2019
19 June, Wednesday 20:00
20 June, Thursday 20:00
21 June, Friday 20:00
22 June, Saturday 18:00
23 June, Sunday 17:00

Venue:
the Musée du quai Branly, Théâtre Claude Lévi-Strauss

*More information: Here(in French only)


▲At Musée du quai Branly in Paris(2016) ©Jean Couturier
 

Conception and direction: MIYAGI Satoshi
Text: collective writing of KUBOTA Azumi and the troops
Music: TANAKAWA Hiroko
Space design: KIZ Junpei
Lighting design: OSAKO Koji
Costume&Mask design: TAKAHASHI Kayo
Props design: FUKASAWA Eri
Hair and makeup: KAJITA Kyoko

Cast

AKAMATSU Naomi, ABE Kazunori, ISHII Moemi, OUCHI Yoneji, OHTAKA Kouichi, KATO Yukio, KONAGAYA Katsuhiko, SAKAKIBARA Yuumi, SAKURAUCHI Yu, SATO Yuzu, SUGIYAMA Ken, SUZUKI Mariko, DAIDOMUMON Yuya, TAKEISHI Morimasa, TATENO Momoyo, TERAUCHI Ayako, NAGAI Sayako, NOGUCHI Shunsuke, HONDA Maki, MAKIYAMA Yudai, MIYAGISHIMA Haruka, MORIYAMA Fuyuko, YAMAMOTO Miyuki, YOSHIUE Soichiro, YOSHIMI Ryo

Information

2019

8 June, Saturday 14:00  *Guidance for theatre beginners
     *Post-performance talk
9 June, Sunday 14:00  *Nursery service
     *Post-performance talk

In Japanese with English subtitles
Duration:110min(Without intermission)
 
Venue:Shizuoka Arts Theatre
(2-3-1 Higashishizuoka, Suruga-ku Shizuoka City, Shizuoka)

Performances for junior and high-school students


7 June, Friday 13:30
 
 
 

Related events

Post-performance talk
by the artists and guests: after the performance.

Pre-Performance Talk
Starting 25 minutes before each performance.

Meet us at Cafe Cinderella!
After the performance, the actors will come to see you off in their stage costumes. We hope you will take this opportunity to interact with the actors!

Guidance for theatre beginners
SPAC actors will give beginner audiences a lecture on what to look for and pay attention to before the performance. This event can be participated in by both those seeing the performance for the first time and repeaters.
8 June, Saturday 12:30~13:30
In Japanese
Free of charge. Reservation required. Up to 20 people.

Ticket Price

4,100 yen (One viewing for regular adult)

SPAC Membership Discount
3,400 yen (One viewing for regular adult)

Pair Discount
3,600 yen per person

Group Discount
3,200 yen per person for group of 3 or more

Senior Discount
3,400 yen for seniors over 60
*Please present ID at door

Student Discount
2,000 yen (University)
1,000 yen (High School and under)
*Please present school ID at door

Handicap Discount
2,800 yen (for those who possess handicap passbook)

*Cannot use more than one discount per purchase.
*Please inform use of discount when making reservation.

How to Purchase

Prior Reservation for Membership begins: 20 April at 10:00
Advance Tickets Sale begins: 21 April at 10:00

●Online reservations
bnr_getti_e
– Please enter from the language button “English”.
– Payment is possible with the following credit cards: DC, UFJ, NICOS, VISA, and Master. Tickets purchased through this website can be received at the venue from one hour prior to each performance.

●Phone reservations
from 10:00-18:00 at SPAC ticket center
TEL. +81-(0)54-202-3399

●Purchase at BOX Office
SPAC ticket center (10:00-18:00)

●Purchase at Seven Eleven
Please use Multi Copy Machine inside stores

Day Ticket
Available at the entrance counter for leftover seats, from one hour prior to each performance.
*Please confirm ticket availability on the day by phone or by visiting Twitter (@_SPAC_)

*Ticket reservations will finish at 18:00 on the day before the performance.
Please refrain from taking infants to the ordinary seats.

[Nursery room] (up to three children, based on a first come first served basis; reservation required)
SPAC provides a nursery room where you can watch the performance with your infant children.

[Nursery service] 
Please contact us at least one week in advance if you would like to use the free nursery service run by volunteers.
9 June, Sunday
Coverage: Infants aged two and under

Staff

Assistant director: NAKANO Masaki
Stage manager: YAMADA Takahiro
Stage: HARAIKAWA Yukio, KIKUCHI Monami
Sound: MIGITA Soichiro
Light: HISAMATSU Yuka
Wardrobe: KAWAI Reiko

Subtitle translation: Steve CORBEIL
Subtitle operation: OISHI Takako

Technical director: MURAMATSU Atsushi

Production: OISHI Takako, KEIMI Aoi, NAKAO Eiji

Flyer design: SAKAMOTO Yoichi (mots)

 
Produced by SPAC-Shizuoka Performing Arts Center
Co-produced by the Musée du quai Branly

Supported by the Agency for Cultural Affairs, Government of Japan through the Japan Arts Council

<For performances in Paris>
Supported by the Agency for Cultural Affairs, Government of Japan through the Japan Arts Council
Co-operated by ANA

 170131beyond2020_logo   ANA

2019年3月5日

Arts Park

Shizuoka Performing Arts Park is the center of activity of SPAC which lies on the northern foot of the Nihondaira plateau with an area four times that of Tokyo Dome. This park of deep green is dotted with the headquarters, open air theatre “Udo”, ellipse theatre “Daendo”, as well as buildings for rehearsal, training exchanges and accommodations.
*Leaflet: Download(PDF file)

The Open Air Theatre “UDO”

野外2

What expresses our overall concept of coexisting with nature the best here at Performing Arts Park is Open Air Theatre. The “Wakakusa stone” slabs harvested from Izu Peninsula covering the ground in front of the subdued black outer walls gives Udo it’s deep presence. For actors to enter and exit, behind the stage itself, we have our very own hanamichi; lined with tea bushes, we call it our “cha michi”. [Designed by ISOZAKI Arata]

Seating capacity (fixed) 400n [Wheelchair seats 2]/Dressing rooms 3/Open width 13.8m/Stage depth 16.71m/Dimmer circuits (30A) 263

Ellipse Theatre “DAENDO”

楕円堂斜め

This elliptical space pitch black stage and white wood scaffolding, takes on an almost mystic feeling when light shines from the dome in the ceiling, sharpening the attention of its audience. The corridor on the upper floor is laden with tatami mats while the lounge provides an excellent view directly facing Mt. Fuji. The contrastive concept of this space is the bright, open upper level coexisting with the more cohesive and concentrated feeling given by the stage and seating in the lower level. [Designed by ISOZAKI Arata]

Seating capacity (movable) 110/Open width 15.70m/Stage depth (Thrust stage)  7.23m/Lifts 2/Dimmer circuits (30A) 140

Rehearsal Hall “BOX THEATRE”

DAENDO

Box Theatre is a simple black box shaped theatre inside the rehearsal building. The stage and seating can be arranged at will for each and every performance where the unity with the audience can be enjoyed to one’s heart’s content. Attached, is Rehearsal Room One, which serves, making best use of its comforting wood design, as a space used for SPAC actors’ daily training.

Open width 17.2m/Stage depth 13.43m/Grid height 4.6m/Cat walks 4/Lighting bars 4/Bars 8/Dimmer circuits (20A) 52

“THE MINI MUSEUM OF WORLD THEATRE IN SHIZUOKA” /
Cafe “KACHI KACHI YAMA”

Next to the security room by the entrance of the park is our cafe KACHI KACHI YAMA. The Mini Museum of World Theatre in Shizuoka — named THEATRON — opened inside, in April 2023 (also available as a free rest area).

Other

Training Exchange Lodge

lodge

These are the accommodations where people from all spectrums of the performing arts who visit SPAC from home and abroad stay to strengthen relations through production of pieces, presentations, research and discussions.

STUDIO

rehearsal room2

Studio for training and making stage props.

Headquarters Office

office

This building houses the office of the Art Agency, the Artistic director’s office, meeting rooms and archives.

2019年3月5日

What’s SPAC

Shizuoka Performing Arts Center (SPAC) was founded in 1995 by Shizuoka Prefecture, Japan. SPAC is the first publicly founded cultural organization in Japan to have residential actors as well as a technical and administrative staff that manages its own theatre venues and facilities for artistic purposes. As a creative base of the performing arts, it generates programs of creation, presentation, education and also programs of exchange / collaboration with artists and institutions of Japan and abroad. SUZUKI Tadashi was the first General Artistic Director of SPAC since 1997 through to March, 2007. In April, 2007, MIYAGI Satoshi was appointed as the General Artistic Director and SPAC started its new phase under his direction. SPAC puts its efforts into various kinds of activities such as creating a variety of theatre pieces, organizing “World Theatre Festival Shizuoka”, inviting students to the theatre, developing theatrical human resources, touring abroad, enhancing outreaching program and many more.

SPAC can present some remarkable points.

1. Persons

SPAC is a company with professional persons to create performing arts.
・General Artistic Director: the symbol of SPAC, who leads the organization and authorizes the overall policy.
・Professionals: residential actors, technical staff, directors, production staff who engages with creation.

2. Facilities

SPAC can utilize own facilities such as; “Studio” where actors formulate their disciplined physical bodies for creating original performing arts, and “Venue” to represent their outputs. Venues have high standard structures and expertise, which are facilities specialized in performing arts for only SPAC’s use, not for rent. In Japan, SPAC is the first model case realizing European theatre system as “A theatre with software”. SPAC has been accepting a lot of attentions in this context, as well as from the viewpoint of cultural policy by a local government.

3. Pieces

SPAC original pieces are highly evaluated both domestically and internationally, continuing presentation in more than eleven countries such as United States, Greek, Russia, France, and Italy. Its repertoires are treasures of SPAC, achieved by own-based staff and actors.

4. Theatre, for communication and connection

Theatre is a window to the world. Not only creation activities, SPAC also holds international performing arts festivals and programs for human resources development to nurture future artists. The energy emitted by a human body on the stage is a once-in-a-lifetime one. SPAC provides opportunities to feel such energy, to inspire creativity and imagination of both performers and audiences. Where both of them can meet each other is “a theatre”.

Chairman of Board of Directors: Sumiko Suzuki
General Artistic Director: Satoshi Miyagi

Contact: 2-3-1 Higashishizuoka Suruga-ku Shizuoka-shi 422-8019
Tel. +81-54-203-5730
Fax: +81-54-203-5732
Email: mail@spac.or.jp

MIYAGI Satoshi / General Artistic Director

Born in 1959 in Tokyo. He is the General Artistic Director of the Shizuoka Performing Arts Center (SPAC). He studied the theory of drama from Yushi ODASHIMA, Moriaki WATANABE, and Hachiro HITAKA at Tokyo University, and founded Ku Na’uka Theatre Company in 1990. He is engaged in various international performance activities, and is praised for his direction fusing the contemporary interpretation of text and the physical techniques and stylization of Asian plays. He was appointed as the General Artistic Director of the SPAC in April of 2007. He not only performs his original work but also invites various works that sharply depict the modern society from around the world, and is working to create a theater as a “window to look out toward the world.” After the success of “Mahabharata” which received an invitation to and was performed at Festival d’Avignon in July 2014, he performed “Antigone” in 2017 as the opening act of the Festival at the Cour d’honneur du Palais des papes. It was the first time in the Festival’s history that an Asian play was selected as the opening act, and the world depicted by the work caused a great reaction. His other representative works include “Medea” and “Peer Gynt.” He received the Grand Prix of the 3rd Asahi Performing Arts Awards (2004), the 2nd Asahi Beer Art Prize (2005), and the 68th Minister of Education, Culture, Sports, Science and Technology’s Art Encouragement Prize of Drama (2018).

2019年3月4日

SPAC

★ Streaming

Watch selected SPAC performances online anytime, anywhere.
Watch online

About SPAC

Shizuoka Performing Arts Center (SPAC) was founded in 1995 by Shizuoka Prefecture, Japan. SPAC is the first publicly founded cultural organization in Japan to have residential actors as well as a technical and administrative staff that manages its own theatre venues and facilities for artistic purposes. As a creative base of the performing arts, it generates programs of creation, presentation, education and also programs of exchange / collaboration with artists and institutions of Japan and abroad. SUZUKI Tadashi was the first General Artistic Director of SPAC since 1997 through to March, 2007. In April, 2007, MIYAGI Satoshi was appointed as the General Artistic Director and SPAC started its new phase under his direction. SPAC puts its efforts into various kinds of activities such as creating a variety of theatre pieces, organizing “World Theatre Festival Shizuoka”, inviting students to the theatre, developing theatrical human resources, touring abroad, enhancing outreaching program and many more.

SPAC can present some remarkable points.

1. Persons

SPAC is a company with professional persons to create performing arts.
・General Artistic Director: the symbol of SPAC, who leads the organization and authorizes the overall policy.
・Professionals: residential actors, technical staff, directors, production staff who engages with creation.

2. Facilities

SPAC can utilize own facilities such as; “Studio” where actors formulate their disciplined physical bodies for creating original performing arts, and “Venue” to represent their outputs. Venues have high standard structures and expertise, which are facilities specialized in performing arts for only SPAC’s use, not for rent. In Japan, SPAC is the first model case realizing European theatre system as “A theatre with software”. SPAC has been accepting a lot of attentions in this context, as well as from the viewpoint of cultural policy by a local government.

3. Pieces

SPAC original pieces are highly evaluated both domestically and internationally, continuing presentation in more than eleven countries such as United States, Greek, Russia, France, and Italy. Its repertoires are treasures of SPAC, achieved by own-based staff and actors.

4. Theatre, for communication and connection

Theatre is a window to the world. Not only creation activities, SPAC also holds international performing arts festivals and programs for human resources development to nurture future artists. The energy emitted by a human body on the stage is a once-in-a-lifetime one. SPAC provides opportunities to feel such energy, to inspire creativity and imagination of both performers and audiences. Where both of them can meet each other is “a theatre”.

Chairman of Board of Directors: Katsunori Nakanishi
General Artistic Director: Satoshi Miyagi

Contact: 2-3-1 Higashishizuoka Suruga-ku Shizuoka-shi 422-8019
Tel. +81-54-203-5730
Fax: +81-54-203-5732
Email: mail@spac.or.jp

MIYAGI Satoshi / General Artistic Director

Born in 1959 in Tokyo. He is the General Artistic Director of the Shizuoka Performing Arts Center (SPAC). He studied the theory of drama from Yushi ODASHIMA, Moriaki WATANABE, and Hachiro HITAKA at Tokyo University, and founded Ku Na’uka Theatre Company in 1990. He is engaged in various international performance activities, and is praised for his direction fusing the contemporary interpretation of text and the physical techniques and stylization of Asian plays. He was appointed as the General Artistic Director of the SPAC in April of 2007. He not only performs his original work but also invites various works that sharply depict the modern society from around the world, and is working to create a theater as a “window to look out toward the world.” After the success of “Mahabharata” which received an invitation to and was performed at Festival d’Avignon in July 2014, he performed “Antigone” in 2017 as the opening act of the Festival at the Cour d’honneur du Palais des papes. It was the first time in the Festival’s history that an Asian play was selected as the opening act, and the world depicted by the work caused a great reaction. His other representative works include “Medea” and “Peer Gynt.” He received the Grand Prix of the 3rd Asahi Performing Arts Awards (2004), the 2nd Asahi Beer Art Prize (2005), and the 68th Minister of Education, Culture, Sports, Science and Technology’s Art Encouragement Prize of Drama (2018).

2019年2月1日

YOTARO AU PAYS DES YŌKAI

Directed by Jean LAMBERT-WILD, Lorenzo MALAGUERRA
Script, adaptation, and dramaturgy by Jean LAMBERT-WILD, HIRANO Akihito, All of casts and workshop participants
Translated by HIRANO Akihito
Music by Jean-Luc THERMINARIAS、TANAKAWA Hiroko

Performed by

yoneji ouchi
OUCHI
Yoneji
kotoko kiuchi
KIUCHI
Kotoko
tsuyoshi kijima
KIJIMA
Tsuyoshi


katsuhiko konagaya
KONAGAYA
Katsuhiko
keita mishima
MISHIMA
Keita
haruka miyagishima
MIYAGISHIMA Haruka


fuyuko moriyama
MORIYAMA
Fuyuko
soichiro yoshiue
YOSHIUE
Soichiro
takahiko watanabe
WATANABE
Takahiko


Information

■Schedule
2019

16 February, Saturday 14:00  *Shuttle bus from Hamamatsu
     *Post-performance talk
17 February, Sunday 14:00  *Guidance for theatre beginners
     *Post-performance talk
24 February, Sunday 15:00  *Nursery service
     
2 March, Saturday 14:00  *Backstage tour
     
3 March, Sunday 14:00  *Backstage tour
     
9 March, Saturday 14:00  *French subtitle
     *Nursery service
10 March, Sunday 14:00  *French subtitle
     *Backstage tour
     

Venue: Shizuoka Arts Theatre access

In Japanese

Performances for junior and high-school students

The mark “*” means the performances that have available seats for general audience. (The tickets are limited.)

15 February, Friday at 10:30/14:30
18 February, Monday at 10:30
19 February, Tuesday at 10:30/14:30
20 February, Wednesday at 13:30
21 February, Thursday at 13:30
22 February, Friday at 13:30
25 February, Monday at 13:30
26 February, Tuesday at 13:30
27 February, Wednesday at 13:30
1 March, Friday at 13:30
5 March, Tuesday at 13:30
6 March, Wednesday at 13:30
7 March, Thursday at 13:00/18:00
8 March, Friday at 13:00
11 March, Monday at 13:30
12 March, Tuesday at 14:00

Related events

Pre-Performance Talk
Starting 25 minutes before each performance.

Meet us at Cafe Cinderella!
After the performance, the actors will come to see you off in their stage costumes. We hope you will take this opportunity to interact with the actors!

バックステージツアーBackstage tour
The technical staff will take you on a special backstage tour. You can also ask us your questions about the stage.
2 March, Saturday
3 March, Sunday
10 March, Sunday

Every day, after the show
Time: About 30 minutes
Free of charge. Reservation required. Up to 40 people.

Guidance for theatre beginners
SPAC actors will give beginner audiences a lecture on what to look for and pay attention to before the performance. This event can be participated in by both those seeing the performance for the first time and repeaters.
17 February, Sunday at 12:30
Time: About 60 minutes
In Japanese
Free of charge. Reservation required. Up to 20 people.

Marriage hunting at Theatre
3 March, Saturday 11:15
Entry fee: 4,500 yen
Cosponsored by Shizuoka City
TEL: 054-200-4894

Shuttle bus to Shizuoka Arts Theatre

<From Hamamatsu>
16 February,Saturday
11:30 Hamamatsu → 13:00 Shizuoka Arts Theatre

*Returning bus will run after Post-performance talk / Backstage tour.
**Reservation is required.

Ticket Price

4,100 yen (One viewing for regular adult)

SPAC Membership Discount
3,400 yen (One viewing for regular adult)

Pair Discount
3,600 yen per person

Group Discount
3,200 yen per person for group of 3 or more

Senior Discount
3,400 yen for seniors over 60
*Please present ID at door

Student Discount
2,000 yen (University)
1,000 yen (High School and under)
*Please present school ID at door

Handicap Discount
2,800 yen (for those who possess handicap passbook)

*Cannot use more than one discount per purchase.
*Please inform use of discount when making reservation.

How to Purchase

Prior Reservation for Membership begins: 8 December at 10:00
Advance Tickets Sale begins: 15 December at 10:00

●Online reservations
bnr_getti_e
– Please enter from the language button “English”.
– Payment is possible with the following credit cards: DC, UFJ, NICOS, VISA, and Master. Tickets purchased through this website can be received at the venue from one hour prior to each performance.

●Phone reservations
from 10:00-18:00 at SPAC ticket center
TEL. +81-(0)54-202-3399

●Purchase at BOX Office
SPAC ticket center [Shizuoka Arts Theatre] (10:00-18:00)

●Purchase at Seven Eleven
Please use Multi Copy Machine inside stores

Day Ticket
Available at the entrance counter for leftover seats, from one hour prior to each performance.
*Please confirm ticket availability on the day by phone or by visiting Twitter (@_SPAC_)

*Ticket reservations will finish at 18:00 on the day before the performance.

Please refrain from taking infants to the ordinary seats.

[Nursery room] (up to three children, based on a first come first served basis; reservation required)
SPAC provides a nursery room where you can watch the performance with your infant children.

[Nursery service] 
Please contact us at least one week in advance if you would like to use the free nursery service run by volunteers.
24 February, Sunday
9 March, Saturday
Coverage: Infants aged two and under

Staff

Stage design: Jean LAMBERT-WILD
Lighting design: Renaud LAGIER
Costume design: KOMAI Yumiko

Stage manager: UCHINO Akiko
Stage: FURUYA Kazumi, MORIYAMA Marie
Lighting operation: KOBAYAKAWA Hiroya
Sound: MIGITA Soichiro, HAYASHI Tetsuya, SAWADA Yukino
Art work: FUKASAWA Eri, SATO Yosuke, ICHIKAWA Kazumi, WATANABE Hiroki
Wardrobe: TAKAHASHI Kayako
Costume: SEI Chigusa, Christine DUCOURET, Aimée LAMBERT-WILD
Technical director: Claire SEGUIN, MURAMATSU Atsushi

Rehearsal support: YOKOYAMA Hisashi
Interpretation: HIRANO Akihito, ISHIKAWA Hiromi
French subtitle: HIRANO Akihito
Subtitle operation: KATAOKA Sachiko

Production: Catherine LEFEUVRE, NAKANO Sakiko, KEIMI Aoi

Produced by SPAC-Shizuoka Performing Arts Center
Co-production: Théâtre de l’Union – Centre Dramatique National
      Théâtre du Crochetan –Monthey

Supported by the Agency for Cultural Affairs, Government of Japan through the Japan Arts Council

Bunkacuhou-02  bunpro_logo_rgb_d_2018  170131beyond2020_logo  2018_gmark

SpacShinbun-Vol8

2019年1月1日

Révélation

A drama that deeply cuts to the truth of the slave trade which caused the disintegration of Africa is recreated as a theatrical musical with a festive atmosphere with Miyagi’s distinct views on life and death. The actors’ voices and bodies and the music together play a hymn to human dignity.

Miyagi and SPAC are privileged to bring out this new program at the request of La Colline – théâtre national, a French theatre that exclusively performs works by modern playwrights. It is the theatre’s first time to have a Japanese company create a program to open a new season. This program is based on the groundbreaking work of a Cameroonian female author living in France, Léonora MIANO. This program was performed for the first time in the world in Paris in September 2018 and will be brought to the Shizuoka Arts Theatre in January 2019.

Text by Léonora MIANO
Translated by HIRANO Akihito
Script and Directed by MIYAGI Satoshi
Music by TANAKAWA Hiroko

Performed by

1_suzuki1_revelation
SUZUKI
Haruyo
1_mikari1-revelation
Micari
abe_revelation
ABE
Kazunori
1_honda1_revelation
HONDA
Maki
1_terauchi1-revelation
TERAUCHI
Ayako
1_ishii1_revelation
ISHII
Moemi
1_yamamoto1-revelation
YAMAMOTO
Miyuki
otaka_revelation
OHTAKA
Kouichi
nagai_revelation
NAGAI
Kenji
yoshimi_revelation
YOSHIMI
Ryo
yokoyama_revelation
YOKOYAMA
Hisashi
1_takii_revelation
TAKII
Miki
oishi_revelation2
OISHI
Nobuhiro
kato_revelation
KATO
Yukio
makiyama_revelation
MAKIYAMA
Yudai
daidomumon_revelation
DAIDOMUMON
Yuya



ⓒSimon Gosselin

Synopsis

The Creator of all living things, Inyi, sees the rise of a new challenge—a “strike” of reincarnating souls refusing to go back into human bodies against the laws of the universe. Inyi gathers the lost souls to ask the reasons for their resistance. There, she hears the cries of the souls that have gone through horrible lives as slaves. Inyi starts on the judgment of the souls that created the causes for their cries.

Information

■Schedule
2019

14 January, Monday 14:00  *Shuttle bus from Tokyo
     *Post-performance talk
19 January, Saturday 14:00  *Shuttle bus from Hamamatsu
     *Post-performance talk
20 January, Sunday 14:00  *Guidance for theatre beginners
     *Nursery service
26 January, Saturday 14:00  *Backstage tour
     
27 January, Sunday 14:00  *Backstage tour
     
2 February, Saturday 14:00  *World Cafe
     *Nursery service
3 February, Sunday 14:00  *Backstage tour
     

Duration:155 minutes (with intermission) 140 minutes
Venue:Shizuoka Arts Theatre access

In Japanese with English subtitles

Performances for junior and high-school students

The mark “*” means the performances that have available seats for general audience. (The tickets are limited.)

16 January, Wednesday at 13:30
17 January, Thursday at 13:30
18 January, Friday at 13:00
22 January, Tuesday at 13:30
23 January, Wednesday at 13:30
25 January, Friday at 13:30
28 January, Monday at 14:00
29 January, Tuesday at 13:30
1 February, Friday at 13:30
4 February, Monday at 13:30
5 February, Tuesday at 13:30
6 February, Wednesday at 10:3014:30

Related events

Pre-Performance Talk: Starting 25 minutes before each performance.

Post-performance talk by the artists and guests: after the performance.
14 January, Monday
19 January, Saturday

Meet us at Cafe Cinderella!
After the performance, the actors will come to see you off in their stage costumes. We hope you will take this opportunity to interact with the actors!

バックステージツアーBackstage tour
The technical staff will take you on a special backstage tour. You can also ask us your questions about the stage.
26 January, Saturday
27 January, Sunday
3 February, Sunday

Every day, after the show
Time: About 30 minutes
Free of charge. Reservation required. Up to 40 people.

Guidance for theatre beginners
SPAC actors will give beginner audiences a lecture on what to look for and pay attention to before the performance. This event can be participated in by both those seeing the performance for the first time and repeaters.
20 January, Sunday at 12:30
Time: About 60 minutes
In Japanese
Free of charge. Reservation required. Up to 20 people.

World Cafe
Share what you thought about the performance with other participants!
2 February, Saturday
Time: About 2 hours
In Japanese
Charge:500 yen. Reservation required. Up to 40 people.

Shuttle bus to Shizuoka Arts Theatre

<From Tokyo>
14 January, Monday
9:30 Shibuya → 13:00 Shizuoka Arts Theatre

<From Hamamatsu>
19 January, Saturday
11:30 Hamamatsu → 13:00 Shizuoka Arts Theatre

*Returning bus will run after Post-performance talk / Backstage tour.
**Reservation is required.

Ticket Price

4,100 yen (One viewing for regular adult)

SPAC Membership Discount
3,400 yen (One viewing for regular adult)

Pair Discount
3,600 yen per person

Group Discount
3,200 yen per person for group of 3 or more

Senior Discount
3,400 yen for seniors over 60
*Please present ID at door

Student Discount
2,000 yen (University)
1,000 yen (High School and under)
*Please present school ID at door

Handicap Discount
2,800 yen (for those who possess handicap passbook)

*Cannot use more than one discount per purchase.
*Please inform use of discount when making reservation.

How to Purchase

Prior Reservation for Membership begins: 23 September at 10:00
Advance Tickets Sale begins: 30 September at 10:00

●Online reservations
bnr_getti_e
 
– Please enter from the language button “English”.
– Payment is possible with the following credit cards: DC, UFJ, NICOS, VISA, and Master. Tickets purchased through this website can be received at the venue from one hour prior to each performance.

●Phone reservations
from 10:00-18:00 at SPAC ticket center
TEL. +81-(0)54-202-3399

●Purchase at BOX Office
SPAC ticket center (10:00-18:00)

●Purchase at Seven Eleven
Please use Multi Copy Machine inside stores

Day Ticket
Available at the entrance counter for leftover seats, from one hour prior to each performance.
*Please confirm ticket availability on the day by phone or by visiting Twitter (@_SPAC_)

*Ticket reservations will finish at 18:00 on the day before the performance.

Please refrain from taking infants to the ordinary seats.

[Nursery room] (up to three children, based on a first come first served basis; reservation required)
SPAC provides a nursery room where you can watch the performance with your infant children.

[Nursery service] 
Please contact us at least one week in advance if you would like to use the free nursery service run by volunteers.
20 January, Sunday
2 February, Saturday
Coverage: Infants aged two and under

Staff

Stage design: Sallahdyn KHATIR
Lighting design: YOSHIMOTO Yukiko
Costume design: KOMAI Yumiko
Prop design:FUKASAWA Eri
Hair and makeup: KAJITA Kyoko

Stage manager: YAMADA Takahiro
Stage: TAKEISHI Morimasa, HARAIKAWA Yukio, ORIMOTO Yumika, YAMAZAKI Kaoru
Lighting operation: HIGUCHI Masayuki, HANAWA Yuki
Sound: YAMASAKI Tomomi, SAWADA Yukino
Art work: SATO Yosuke, WATANABE Hiroki
Wardrobe: TAKAHASHI Kayako, KAWAI Reiko
Assistant director: NAKANO Masaki
Technical director: MURAMATSU Atsushi
Supervisor: YOSHINO Mai
English subtitles translation: Steve CORBEIL
English subtitles Operation: OISHI Takako
Production: YONEYAMA Junichi, NISHIMURA Ai, OISHI Takako

Flyer design: ABE Taichi (TAICHI ABE DESIGN INC.)

Produced by SPAC-Shizuoka Performing Arts Center, La Colline – théâtre national

Supported by the Agency for Cultural Affairs, Government of Japan through the Japan Arts Council, Embassy of France/Institut français du Japon
Bunkacuhou-072  Amb-France_IFJ_ 

The performance rights of the play Red in blue trilogie by Léonora Miano are represented worldwide by L’Arche, éditeur & agence théâtrale in Paris. www.arche-editeur.com

revelation_omote
 
SpacShinbun-Vol_7

2018年11月10日

Spinning Gears

 
A novel written by AKUTAGAWA Ryunosuke in his final years is adapted into a performance by TADA Junnosuke.
 
Released after the author’s suicide in 1927, the novel “Spinning Gears” depicts a man writing a novel in a hotel in Tokyo at which he stays for a few days to attend his acquaintance’s wedding ceremony. He keeps working on writing as a way to keep his head together through the fear of destruction and death triggered by the news of his brother-in-law’s death. The main character provokes the image of the author himself, who was also facing the shadow of the approaching death at the time of writing the novel. This is the first SPAC program directed by TADA Junnosuke, a director with increasing domestic and international recognition as the head of theatre company Tokyo Deathlock and Artistic Director at Cultural Centre of Fujimi City, KIRARI FUJIMI.
  
Conceived and directed by TADA Junnosuke
Original text by AKUTAGAWA Ryunosuke

Performed by

tomomi
OUCHI
Tomomi
okuno
OKUNO
Akihito
kasugai
KASUGAI
Ippei
wakana
KAWAMURA
Wakana
fumiji
BANDO
Fumiji
mishima
MISHIMA
Keita
  

Information

■Schedule
2018

24 November, Saturday 14:00  *Shuttle bus from Eastern Shizuoka
     *Post-performance talk
25 November, Sunday 14:00  *Guidance for theatre beginners
     
1 December, Saturday 14:00  *Shuttle bus from Tokyo
     *Post-performance talk
2 December, Sunday 14:00  *Backstage tour
     *Post-performance talk
8 December, Saturday 14:00  *Backstage tour
     
9 December, Sunday 14:00  *Backstage tour
     *Nursery service
15 December, Saturday 14:00  *Post-performance talk
     *Nursery service

 

Venue:Shizuoka Arts Theatre access

In Japanese without English subtitles

Performances for junior and high-school students

The mark “*” means the performances that have available seats for general audience. (The tickets are limited.)


22 November, Thursday at 13:30
28 November, Wednesday at 18:00
29 November, Thursday at 13:30
4 December, Tuesday at 13:30
5 December, Wednesday at 13:30
7 December, Friday at 14:00
11 December, Tuesday at 13:30
12 December, Wednesday at 13:30
13 December, Thursday at 10:30/14:30

Related events

Pre-Performance Talk: Starting 25 minutes before each performance.

Post-performance talk by the artists and guests: after the performance.
24 November, Saturday
1 December, Saturday
2 December, Sunday
15 December, Saturday

Meet us at Cafe Cinderella!
After the performance, the actors will come to see you off in their stage costumes. We hope you will take this opportunity to interact with the actors!

バックステージツアーBackstage tour
The technical staff will take you on a special backstage tour. You can also ask us your questions about the stage.
2 December, Sunday
8 December, Saturday
9 December, Sunday

Every day, after the performance
Time: About 30 minutes
In Japanese
Free of charge. Reservation required. Up to 40 people.

Guidance for theatre beginners
SPAC actors will give beginner audiences a lecture on what to look for and pay attention to before the performance. This event can be participated in by both those seeing the performance for the first time and repeaters.
25 November, Sunday at 12:30
Time: About 60 minutes
In Japanese
Free of charge. Reservation required. Up to 20 people.

Shuttle bus to Shizuoka Arts Theatre

<From Eastern Shizuoka>
24 November, Saturday
Departure from Shuzenji-station to Shizuoka Arts Theatre
10:10 Shuzenji-station(South exit) → 11:05 Mishima-station(North exit) → 11:40 Numazu-station(North exit) → 13:00 Shizuoka Arts Theatre

<From Tokyo>
1 December, Saturday
9:30 Shibuya → 13:00 Shizuoka Arts Theatre

*Returning bus will run after Post-performance talk / Backstage tour.
**Reservation is required.

Ticket Price

4,100 yen (One viewing for regular adult)

SPAC Membership Discount
3,400 yen (One viewing for regular adult)

Pair Discount
3,600 yen per person

Group Discount
3,200 yen per person for group of 3 or more

Senior Discount
3,400 yen for seniors over 60
*Please present ID at door

Student Discount
2,000 yen (University)
1,000 yen (High School and under)
*Please present school ID at door

Handicap Discount
2,800 yen (for those who possess handicap passbook)

*Cannot use more than one discount per purchase.
*Please inform use of discount when making reservation.

How to Purchase

Prior Reservation for Membership begins: 23 September at 10:00
Advance Tickets Sale begins: 30 September at 10:00

●Online reservations
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– Please enter from the language button “English”.
– Payment is possible with the following credit cards: DC, UFJ, NICOS, VISA, and Master. Tickets purchased through this website can be received at the venue from one hour prior to each performance.

●Phone reservations
from 10:00-18:00 at SPAC ticket center
TEL. +81-(0)54-202-3399

●Purchase at BOX Office
SPAC ticket center (10:00-18:00)

●Purchase at Seven Eleven
Please use Multi Copy Machine inside stores

Day Ticket
Available at the entrance counter for leftover seats, from one hour prior to each performance.
*Please confirm ticket availability on the day by phone or by visiting Twitter (@_SPAC_)

*Ticket reservations will finish at 18:00 on the day before the performance.

Please refrain from taking infants to the ordinary seats.

[Nursery room] (up to three children, based on a first come first served basis; reservation required)
SPAC provides a nursery room where you can watch the performance with your infant children.

[Nursery service] 
Please contact us at least one week in advance if you would like to use the free nursery service run by volunteers.
9 December, Sunday
15 December, Saturday
Coverage: Infants aged two and over

Staff

Lighting design: IWAKI Tamotsu
Stage design: FUKASAWA Eri
Costume design: OOKA Mai

Stage manager: FURUYA Kazumi, MITSU Hisashi
Lighting operation: HIGUCHI Masayuki
Sound: HARADA Shinobu, HAYASHI Tetsuya
Stage: KAMIYA Toshiki
Art work: SATO Yosuke
Technical director: MURAMATSU Atsushi
Production: NAKAO Eiji, UCHIDA Toshiko
Flyer design: ABE Taichi (TAICHI ABE DESIGN INC.)

Produced by SPAC-Shizuoka Performing Arts Center
Supported by the Agency for Cultural Affairs, Government of Japan through the Japan Arts Council
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